The Plume & the Palette

Contents: Pamela Berger: Sculpted Body Parts from Ancient Healing Sanctuaries in Greece, Italy and Gaul – Alessandro Cecchi: Jacopo Zucchi ’à la manière de’ Giorgio Vasari: il ritratto de gentildonna del Metropolitan Museum – Claude Cernuschi: The Application of Psychoanalysis to the Humanities: Science or Hermeneutics? – Liana de Girolami Cheney: The Ovidian Agony of Love in Renaissance Art – Jeffery Howe: (Re)Cycling: Medievalism in Nineteenth and Twentieth Century Architecture – John Michalczyk: Inspiration for the Partisan Priest in Rossellini’s ‘Open City’ (1945) – Susan A. Michalczyk: Etchings on a Soul: Michelangelo’s Florentine Poetry (1520-1532) – Katherine Nahum: Simandl’s Caryatids and Hoffmann’s Stoclet Tower – Franco Paliaga: L’architettura del Principe, ‘Dux e Pius’: I ‘sontuosi’ progetti di Giorgio Vasari per la chiesa dell’Ordine dei Cavalieri di Santo Stefano in Pisa – Paolo Squatriti: Patrons, Landscape, and Potlatch: The Cases of Bulgaria and England in the Early Middle Ages – Cornelius Vermeule: A Greek Saint in Late Renaissance Italy – Mary Armstrong: Appropriating Giotto’s Chapel – Aileen Callahan: Dante’s Heads – Alston Conley: Drawing from the Italian Masters – Mark Cooper: Of Two Minds – Charles A. Meyer: Restorative Justice, not Retributive Justice – John Steczynski: On Envisioning the ‘Book of Revelation’: Text, Context and Image – Andrew Tavarelli: Udine at the Assumption.