Für diesen Artikel ist leider kein Bild verfügbar.

Before We Get Started (eBook)

(Autor)

eBook Download: EPUB
2011 | 1. Auflage
224 Seiten
Random House Publishing Group (Verlag)
978-0-307-80480-8 (ISBN)
Systemvoraussetzungen
6,60 inkl. MwSt
  • Download sofort lieferbar
  • Zahlungsarten anzeigen

This marvelous guide begins where other books on writing and the writing life leave off. Delving deep into the creative process, Bret Lott reveals truths we scarcely realized we needed to know but without which we as writers will soon lose our way. In ten intimate essays based on his own experiences and on the seasoned wisdom of writers including Eudora Welty, E. B. White, Henry David Thoreau, Henry James, and John Gardner, Lott explores such topics as

• why write? why keep writing?
• the importance of simple words
• the finer points of character detail
• narrative and the passage of time
• the pitfalls of technique
• making a plan--and letting it go
• risking failure--and reaping the benefits
• Accepting rejection

Writers travel alone, but Bret Lott's book makes the journey less lonely and infinitely more rewarding. Before We Get Started will help you make your work as good as it can be: 'Pay attention recklessly. Strain to see through the window of your own artistic consciousness in the exhilarating knowledge that there is no path to the waterfall, and there are a million paths to the waterfall, and there is, too, only one path: yours.'

From the Trade Paperback edition.


This marvelous guide begins where other books on writing and the writing life leave off. Delving deep into the creative process, Bret Lott reveals truths we scarcely realized we needed to know but without which we as writers will soon lose our way. In ten intimate essays based on his own experiences and on the seasoned wisdom of writers including Eudora Welty, E. B. White, Henry David Thoreau, Henry James, and John Gardner, Lott explores such topics as• why write? why keep writing?• the importance of simple words• the finer points of character detail• narrative and the passage of time• the pitfalls of technique• making a plan–and letting it go• risking failure–and reaping the benefits• Accepting rejectionWriters travel alone, but Bret Lott’s book makes the journey less lonely and infinitely more rewarding. Before We Get Started will help you make your work as good as it can be: “Pay attention recklessly. Strain to see through the window of your own artistic consciousness in the exhilarating knowledge that there is no path to the waterfall, and there are a million paths to the waterfall, and there is, too, only one path: yours.”

GenesisI am sitting in the sanctuary, a few rows from the front, to my left my mom and dad, my little brother, Timmy, in Mom's lap and sleeping, to my right my older brother, Brad. Brad and I have just received these thin blue books, every kid in the service passed a brand-new copy by men in gray or black suits standing at either end of the pews, stacks of these books in hand.

The blue paper cover is bordered with green grapevines, tendrils working up and down either side with bunches of grapes here and there, at the top and bottom of the cover those tendrils meet sheaves of wheat in the same green ink.

The pastor says it is the book of somms, and I wonder what that is, look at the words in black ink centered a little high on the cover. I sound out the words to myself, The . . . Book . . . of, and stop.

P-S-A-L-M-S. How does that, I wonder, spell out Somms?

But even if I don't understand, this is the ?rst Bible--or piece of it--I have ever gotten, and I don't want to lose this book. I want to keep it.

So I take one of the nubby pencils from the back of the pew in front of me, nestled in its tiny wooden hole beside the wooden shelf where attendance forms are kept, and beside the larger holes where the tiny glass cups are placed once we've emptied them of grape juice.

And I begin, for the first time in my life, to write my name by myself.

I start at the upper-left-hand corner, just below the border, but the first word trails off, falls toward that centered title in black as though that title is a magnet, the letters I make iron filings. They fall that way because there are no lines for me to balance them upon, as I am able to do with the paper given me by my kindergarten teacher, Mrs. Pasley.

I finish that first word, feel in my hand the cramp of so much strenuous, focused work, and hold the book away from me, look at it while the pastor rolls on.

There is no place for the second word, I see, the last letter of my first name too near the first of the title.

This is a problem. I know the second word must follow the first on the same line, a little space needed between them. Mrs. Pasley would not approve. This is a problem.

But there is space above my name due to its falling away, a wedge of blue field that might, if I am careful enough, be able to hold that second word, and I write, work out the riddle of letters without lines, letters that will line up to mark this book as mine, and mine only.

Then I am finished, and here is my name. Me.

The first time I have ever written my name myself, alone.

Later, on the way home, my older brother, Brad, will look at the book, say, 'Lott Bret. Who's that?' and laugh at my ill-spaced effort. Later still I will write my name again on the cover, this time with a blue pen and holding the book upside down. The words will be a little more jaunty, full of themselves and the confidence of a kid who knows how to write his name, no problem at all. Beneath this second round, though, will be the lone letter B, a practice swing at making that capital letter as good as I can make it.

Later, I will be baptized into the church at age fourteen, a ritual it will seem to me is the right thing to do.

Later still, in college, I will be born again, as Christ instructed Nicodemus.

And later even still, I will have written entire books of my own, created lives out of the whole cloth of the imagination. I will have created, and created in my name.

But on this Sunday, the pastor still rolling on, these two words themselves are enough.

Only a kid's scrawl. My own small imitation of God.

Before We Get Started

Let me...

EPUBEPUB (Adobe DRM)

Kopierschutz: Adobe-DRM
Adobe-DRM ist ein Kopierschutz, der das eBook vor Mißbrauch schützen soll. Dabei wird das eBook bereits beim Download auf Ihre persönliche Adobe-ID autorisiert. Lesen können Sie das eBook dann nur auf den Geräten, welche ebenfalls auf Ihre Adobe-ID registriert sind.
Details zum Adobe-DRM

Dateiformat: EPUB (Electronic Publication)
EPUB ist ein offener Standard für eBooks und eignet sich besonders zur Darstellung von Belle­tristik und Sach­büchern. Der Fließ­text wird dynamisch an die Display- und Schrift­größe ange­passt. Auch für mobile Lese­geräte ist EPUB daher gut geeignet.

Systemvoraussetzungen:
PC/Mac: Mit einem PC oder Mac können Sie dieses eBook lesen. Sie benötigen eine Adobe-ID und die Software Adobe Digital Editions (kostenlos). Von der Benutzung der OverDrive Media Console raten wir Ihnen ab. Erfahrungsgemäß treten hier gehäuft Probleme mit dem Adobe DRM auf.
eReader: Dieses eBook kann mit (fast) allen eBook-Readern gelesen werden. Mit dem amazon-Kindle ist es aber nicht kompatibel.
Smartphone/Tablet: Egal ob Apple oder Android, dieses eBook können Sie lesen. Sie benötigen eine Adobe-ID sowie eine kostenlose App.
Geräteliste und zusätzliche Hinweise

Buying eBooks from abroad
For tax law reasons we can sell eBooks just within Germany and Switzerland. Regrettably we cannot fulfill eBook-orders from other countries.

Mehr entdecken
aus dem Bereich

von Nina Janich; Steffen Pappert; Kersten Sven Roth

eBook Download (2023)
Walter de Gruyter GmbH & Co.KG (Verlag)
205,95