Beyond the Fifth Century (eBook)

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Ingo Gildenhard, Durham University, UK; Martin Revermann, University of Toronto, Canada.

Acknowledgements 6
Table of Contents 8
Introduction 10
A. Getting the Show on the Road 46
The Classical Tragedians, from Athenian Idols to Wandering Poets 48
Situating the Gaze of the Recipient(s): Theatre-Related Vase Paintings and their Contexts of Reception 78
Changing Contexts: Tragedy in the Civic and Cultural Life of Hellenistic City-States 108
B. From Greece to Rome 160
Buskins & SPQR: Roman Receptions of Greek Tragedy
Dionysiac Theme and Dramatic Allusion in Ovid’s Metamorphoses 4 196
“I’m A Celebrity, Get Me Out of Here”: The Reception of Euripides’ Iphigenia among the Taurians in Ovids’s Exile Poetry 228
C. The Roman Empire 256
Drama and Epic Narrative: The Test Case of Messenger Speech in Seneca’s Agamemnon 258
Seneca and Pantomime 278
A Sophist’s Drama: Lucian and Classical Tragedy 298
D. Late Antiquity and the Middle Ages 322
Christians and the Theater 324
The Tragedy of the Middle Ages 344
Adventures in Recording Technology: The Drama-as-Performance in the Greek East 380
Whipping Jesus Devoutly: The Dramaturgy of Catharsis and the Christian Idea of Tragic Form 406
List of Contributors 434
Index 438

lt;P>"This collection of articles is self-confessedly designed for scholarly readers, graduates and ‘adventurous undergraduates’ (p.5). It belongs on the shelves of specialist researchers and university libraries."
Claire Gruzelier in Classcis for All 02.06.2018 https://classicsforall.org.uk/book-reviews/beyond-the-fifth-century-interactions-with-greek-tragedy-from-the-fourth-century-bce-to-the-middle-ages/

"This is a splendidly conceived volume, whose contents are always stimulating and in several cases attain the high standard which the editors' introduction sets for them. If the topics it covers are not unfamiliar or revolutionary in themselves, nevertheless the approaches to them often are, as is the very act of collecting them within a single themed volume and thus conceptualizing them as interrelated aspects of the reception of tragedy."
Bob Cowan in BMCR 2011.11.49