Für diesen Artikel ist leider kein Bild verfügbar.

The Beethoven Sonatas and the Creative Experience

Buch | Hardcover
336 Seiten
1994
Indiana University Press (Verlag)
978-0-253-31822-0 (ISBN)
47,30 inkl. MwSt
  • Titel ist leider vergriffen;
    keine Neuauflage
  • Artikel merken
Presents an exploration of 32 of Beethoven's sonatas. This work pursues the emotional and interpretative implications of such elements as rhythm, dynamics, slurs, harmonic effects, and melodic development. It provides hundreds of musical examples; and points out the specific measures in which Beethoven employed these compositional devices.
Instead of following the traditional chronological order in studying the Beethoven piano sonatas, Kenneth Drake places them in categories that reflect certain qualities of the music. Approaching the sonatas as an interpreter's search for meaning, he begins with the Classic composers' expressive treatment of the keyboard - such as touches, articulation, line, colour, silence, and the pacing of musical ideas. He then analyses individual Beethoven sonatas, exploring such qualities as motivic development, colour, philosophic overtones, and technical facility. Juxtaposing sonatas of like characteristics, regardless of where they fall in Beethoven's oeuvre, Drake places the very early Op. 2 No. 2 and the monumental Op. 101 in the chapter entitled "Line and Space." Under the heading "Descriptive Music," he discusses Op. 81a and Op. 13" under "Motivic Development," Op. 2 No. 1, Op. 57, and Op. 110 and under "Movement as Energized Colour," Op. 53. The chapter entitled "Quasi una Fantasia" encompasses not only the Sonata Op. 27 No. 2, to which Beethoven gave that title, but also Sonatas Op. 26 and Op. 27 No. 1.
Drake pursues the emotional and interpretative implications of such elements as rhythm, dynamics, slurs, harmonic effects, and melodic development. He provides hundreds of musical examples; and points out the specific measures in which Beethoven so skilfully employed these compositional devices. Kenneth Drake regards the Beethoven sonatas as products of an inner necessity that pianists share with the composer. He encourages musicians to exercise intuition and independence of thought in studying the "32" and to seek no just performance skills but logical conclusions about ideas and relationships within the score.

Preface 1. The First Raptus, and All Subsequent Ones *The Sounds of Involvement 2. Technique as Touch 3. Tempo and the Pacing of Musical Ideas 4. Dynamic Nuance and Musical Line 5. The Role of Silence 6. Sound as Color *The Sonatas 7. Descriptive Music: Op.81a, Op.13 8. Motivic Development: Op.2 No.1, Op.57, Op.110 9. Quasi una Fantasia: Op.27 Nos.1 and 2, Op.26 10. Line and Space: Op. 2 No.2, Op 101 11. Movement as Energized Colour: Op.53 12. The Moment of Creation: Op.28, Op.31 Nos.2 and 3 13. Facing Two Directions: Op.49 Nos.1 and 2, Op.54, Op. 78, Op. 90 14. The Enjoyment of Fluency: Op.10 Nos.2 and 3, Op. 14 No. 2, Op.22, Op.31 No.1, Op.79 15. The Cosmopolitan Impostor: Op.2 No.3, Op.14 No.1 16. Embracing the Dachstein: Op. 7, Op. 106 17. A Higher Revelation: Op.10 No.1, Op.109, Op.111 18. The Witness Tree *Notes

Erscheint lt. Verlag 1.4.1994
Zusatzinfo 485mus.exs.
Verlagsort Bloomington, IN
Sprache englisch
Maße 156 x 235 mm
Gewicht 567 g
Themenwelt Kunst / Musik / Theater Musik Instrumentenkunde
Kunst / Musik / Theater Musik Klassik / Oper / Musical
ISBN-10 0-253-31822-X / 025331822X
ISBN-13 978-0-253-31822-0 / 9780253318220
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
so funktioniert elektronische Klangerzeugung

von Florian Anwander

Buch | Hardcover (2023)
PPVMEDIEN (Verlag)
29,00
Roman

von Hans Janowitz

Buch | Hardcover (2024)
Wallstein Erfolgstitel - Belletristik und Sachbuch (Verlag)
20,00