Radicalism in American Silent Films, 1909-1929 - Michael Slade Shull

Radicalism in American Silent Films, 1909-1929

A Filmography and History
Buch | Softcover
355 Seiten
2011
McFarland & Co Inc (Verlag)
978-0-7864-4247-8 (ISBN)
67,30 inkl. MwSt
Investigates how the American motion picture industry portrayed the interrelationships between labor radicals, exploitative capitalists, socialist idealists and Bolsheviks during 1909 and 1929. This book presents a comprehensive filmography of the 436 silent films that are organized into the three eras: 1909-1917, 1918-1920, and 1921-1929.
This work identifies 436 American silent films released between 1909 and 1929 that engaged the issues of militant labor and revolutionary radicalism. It begins with an extended introduction and analytical chapters that investigate the ways in which the American motion picture industry portrayed the interrelationships between labor radicals, exploitative capitalists, socialist idealists and Bolsheviks during this critical twenty-year period.

Each entry contains a detailed plot synopsis, citations to primary sources, coding indicating the presence or absence of 14 predominant discernible biases (including anti- and pro-capitalism, socialism, revolution and labor), and subject coding keyed to 64 related terms and concepts (including agitators, Bolshevism, bombs, female radicals, militias, mobs, political refugees, and strikes). These statistical data included in the filmography are presented in a series of charts and are fully integrated into the historical-critical text. Total number and percentage statistics for the instances of these coded biases and traits are given per year, per era, and overall.

Film historian and media propaganda specialist Michael S. Shull currently teaches film history at George Washington University and teaches mass communications at Montgomery College (both in the Washington, D.C., area). He lives in Germantown, Maryland.

Table of Contents



Acknowledgments     

Preface     



INTRODUCTION

Red-Tinted Flickers of History     



CHAPTER 1     

A Red Blur: The Mixed Message on Class and Radicalism in Progressive Era Films, 1909–1917     



CHAPTER 2     

The Red Scourge on Film: From Wartime Xenophobia to Being in the Vanguard of Anti-Bolshevik Hysteria, 1918–1920     



CHAPTER 3     

From the East to the East Side: White Flight from the Red Hordes to America, 1921–1929     



ABOUT THE FILMOGRAPHY

How to Read the Filmography     

Glossary of Coding Terms     

Yearly Film Totals, 1909–1929     

Coding Statistics, 1909–1917     

Coding Statistics, 1918–1920     

Coding Statistics, 1921–1929     

Coding Totals, 1909–1929     

Predominant Discernible Biases, 1909–1917     

Predominant Discernible Biases, 1918–1920     

Predominant Discernible Biases, 1921–1929     

Predominant Discernible Biases: Totals, 1909–1929     



THE FILMOGRAPHY     

Appendix 1: Selected Foreign Films Released in the United States 1909–1915     

Appendix 2: Topical American Shorts, with Coding, 1918–1920     

Appendix 3: Selected American Fictional Shorts, 1921–1927     

Notes     

Bibliography     

Index     

Erscheint lt. Verlag 30.1.2011
Zusatzinfo 71 photos, glossary, appendices, bibliography, index
Verlagsort Jefferson, NC
Sprache englisch
Maße 178 x 254 mm
Gewicht 617 g
Themenwelt Kunst / Musik / Theater Film / TV
ISBN-10 0-7864-4247-6 / 0786442476
ISBN-13 978-0-7864-4247-8 / 9780786442478
Zustand Neuware
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