The Theatre of Richard Maxwell and the New York City Players
Routledge (Verlag)
978-0-415-99092-9 (ISBN)
Touching upon the acting, production and rehearsal processes of NYC Player’s work, and Maxwell's representations of space, community, race, and gender, this volume provides scholars with an important overview of a key figure in contemporary drama.
Sarah Gorman is Principal Lecturer in Drama, Theatre & Performance Studies at Roehampton University, London. Her research focuses on contemporary European and North American experimental theatre. She has recently contributed to Making Contemporary Theatre: International Rehearsal Processes and A Concise Companion to British and Irish Drama.
1. Introduction: Opportunity Knocks 2. Bad Acting on Purpose: Practising Intelligibility and Legitimacy on Stage 3. Passionate Indifference: Cook County Theater Department 4. ‘I Got Balls, See?’ A Study of Working Class Masculinity in the Plays of Richard Maxwell and the New York City Players 5. Concert Hall Slash Sports Facility: the Anthropological Space of Richard Maxwell’s Theatre 6. Conclusion: Inscrutability, Irony and Binary Assignations
Reihe/Serie | Routledge Advances in Theatre & Performance Studies |
---|---|
Zusatzinfo | 11 Halftones, black and white; 11 Illustrations, black and white |
Verlagsort | London |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 480 g |
Themenwelt | Literatur ► Lyrik / Dramatik ► Dramatik / Theater |
Kunst / Musik / Theater ► Film / TV | |
Kunst / Musik / Theater ► Theater / Ballett | |
ISBN-10 | 0-415-99092-0 / 0415990920 |
ISBN-13 | 978-0-415-99092-9 / 9780415990929 |
Zustand | Neuware |
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