Music and Orientalism in the British Empire, 1780s–1940s

Martin Clayton is Senior Lecturer in Music at the Open University, UK. He has written on topics including rhythm and metre, the history of comparative musicology, and musical encounters between India and the West. His publications include Time in Indian Music (2000), The Cultural Study of Music (co-editor, 2003) and Music, Time and Place (2007). Bennett Zon is Reader in Music, Director of the Centre for Nineteenth-Century Music and Fellow of the Institute of Advanced Study, Durham University. He has published The English Plainchant Revival (1999), Music and Metaphor in Nineteenth-Century British Musicology (2000) and Representing Non-Western Music in Nineteenth-Century Britain (2007). Zon is General Editor of Nineteenth-Century Music Review and the Music in Nineteenth-Century Britain book series.

Contents: Introduction, Martin Clayton and Bennett Zon. Part I Portrayal of the East: Encountering the other, redefining the self: Hindostannie airs, Haydn's folksong settings and the 'common practice' style, Nicholas Cook; Mamia, Ammani and other Bayadères: Europe's portrayal of India's temple dancers, Joep Bor; Musical renaissance and its margins in England and India, 1874-1914, Martin Clayton; Mizrakh, Jewish music and the journey to the East, Philip V. Bohlman and Ruth Davis. Part II Interpreting Concert Music: Granville Bantock and the Orient in the Midlands, Fiona Richards; 'An inoffensive thing': Elgar, The Crown of India and Empire, Corissa Gould; Patriotic vigour or voice of the Orient? Re-reading Elgar's Caractacus, Laura Upperton; Negotiating orientalism: the Kaccheri and the critic in colonial South India, Lakshmi Subramanian. Part III Words and Music: 'Violent passions' and 'inhuman excess': simplicity and the representation of non-Western music in 19th-century British travel literature, Bennett Zon; Creative women and 'exoticism' at the last fin-de-siècle, Sophie Fuller; Tom-toms, dream-fugues and poppy juice: East meets West in 19th-century fiction, Phyllis Weliver. Part IV The Orientalist Stage: Chu Chin Chow and orientalist musical theatre in Britain during the First World War, William A. Everett; A parallel reading of the 'Oriental' and South American opera libretti set by Sir Henry Bishop, Claire Mabilat; Musicking the other: orientalism in the Hindi cinema, Greg Booth. Index.