Serialism
Seiten
2008
Cambridge University Press (Verlag)
978-0-521-68200-8 (ISBN)
Cambridge University Press (Verlag)
978-0-521-68200-8 (ISBN)
Serialism, one of the most prominent innovations in music since 1900, is a key topic in music studies for both undergraduate and graduate students. From Schoenberg to Stockhausen, Berg to Boulez, this introduction tells the story of how serialism emerged, and explains serial compositional techniques in a clear, non-technical way.
From the earliest years of the 20th century composers sought ways in which to break from earlier musical traditions. Serialism is one of the most prominent innovations resulting from this. From Schoenberg to Stockhausen, Berg to Boulez, this introduction tells the story of how serialism emerged, and provides a basic outline of serial compositional techniques. • Introduces serialism - a traditionally complex but key area of music studies - in a thorough and straightforward way • Clearly and concisely describes the technical aspects of serialism, using illustrative music examples • Contains a glossary to aid readers unfamiliar with specialised vocabulary.
From the earliest years of the 20th century composers sought ways in which to break from earlier musical traditions. Serialism is one of the most prominent innovations resulting from this. From Schoenberg to Stockhausen, Berg to Boulez, this introduction tells the story of how serialism emerged, and provides a basic outline of serial compositional techniques. • Introduces serialism - a traditionally complex but key area of music studies - in a thorough and straightforward way • Clearly and concisely describes the technical aspects of serialism, using illustrative music examples • Contains a glossary to aid readers unfamiliar with specialised vocabulary.
Arnold Whittall is Professor Emeritus at King's College London.
Preface; 1. Introducing the Introduction; 2. Schoenberg's path to the twelve-tone method; 3. Serialism in close-up; 4. Schoenberg in the 1920s; 5. Alban Berg. Reverence and resistance; 6. Anton Webern. Discipline and license; 7. The later Schoenberg; 8. American counterpoints I; 9. American counterpoints II; 10. European repercussions I; 11. European repercussions II; 12. European repercussions III; 13. European repercussions IV; 14. European repercussions V; Glossary.
Erscheint lt. Verlag | 16.10.2008 |
---|---|
Reihe/Serie | Cambridge Introductions to Music |
Zusatzinfo | 149 Printed music items |
Verlagsort | Cambridge |
Sprache | englisch |
Maße | 173 x 246 mm |
Gewicht | 600 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musikgeschichte |
Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre | |
ISBN-10 | 0-521-68200-2 / 0521682002 |
ISBN-13 | 978-0-521-68200-8 / 9780521682008 |
Zustand | Neuware |
Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
das Gesamtkunstwerk Kraftwerk
Buch | Softcover (2024)
C.W. Leske Verlag
24,00 €
Buch | Softcover (2022)
Edition Olms (Verlag)
29,95 €