Applied Theatre: Voice

Sarah Weston is Lecturer in Theatre Studies at the University of Manchester, UK

List of Illustrations
Notes on Contributors
Acknowledgements

Part One
1. Introduction (Sarah Weston, University of Manchester, UK)
2. Voice is Ordinary (Sarah Weston, University of Manchester, UK)
3. Vocal Justice (Sarah Weston, University of Manchester, UK)

Part Two
4. Exploring the Notion of Voice and the Ethics of Voicing in Applied Performance: Reflections. (Taiwo Afolabi and Shannon Holmes, University of Regina, Canada)
5. 'People aren’t going to show up to the revolution if it isn't fun' Theatre of the Oppressed and Disrupting the Tone of Voice within Deliberative Democracy. (Malaika Cunningham, Arts Admin, Katy Rubin and Sarah Woods, Freelance Practitioners, UK)
6. Resonant Tails: Creating Inter-sensory Theatre with Children through Non-normative Voicing, or Can the Voice Without Words be Enabled to Exert Political Agency? (Yvon Bonenfant, University College Cork, Ireland)
7. The Politics of Voice and Visibility in the Performing Justice Project (Megan Alrutz, University of Texas, USA)
8. 'It’s about taking what we understand musically as a kind of metaphor for other moments in our lives'. Discussing Singing as Life Practice – In Conversation with Emma Bonnici (Sarah Weston, University of Manchester and Emma Bonnici, Freelance Practitioner, UK)
9. Theatre of the Oppressed as a Transnational Voice: Building Bridges Beyond Languages (Clara de Andrade and Gustavo Guenzburger, University of the State of Rio de Janeiro, Brazil)

Index