Explorations in Music Theory
Routledge (Verlag)
978-0-367-48822-2 (ISBN)
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Features of this book include:
Modular lessons centered on inquiry-driven pedagogy, offering flexibility
Lesson difficulty is marked to allow instructors to easily organize their course
A wide variety of exercises and practice tasks incorporated throughout the chapters
Improvisation Labs allow students to practice concepts through improvisation
Historical Minutes introduce students to historical theorists and enable them to understand music theory as a living practice
Composer Spotlights highlight the stories of composers whose work is featured in the chapter, bringing forward underrepresented composers
Explore Online features provide additional exercises and coverage of advanced topics through an accompanying online resource
A flexible, modular organization allows the book to be used in a variety of course structures, accommodating a wide variety of schools. Enhancing improvisation and composition skills, introducing historical perspectives, incorporating diverse repertoire, and enabling students to better connect theory concepts with practical applications, this text provides a new and effective way to teach harmony.
Dariusz Terefenko is Professor of Jazz Studies and Contemporary Media and Affiliate Professor of Music Theory at Eastman School of Music, where he teaches courses in jazz and music theory. He is the author of Jazz Theory: From Basic to Advanced Study and Jazz Theory Workbook. Benjamin Wadsworth is Professor of Music Theory at Kennesaw State University, where he oversees the Music Theory area.
Part I: Fundamentals
1. Music Notation
2. Rhythm and Meter
3. Major Scales
4. Minor Scales
5. Intervals
6. Triads
7. Seventh Chords
8. Non-Chord Tones
9. Root-Position Triads
10. First-Inversion Triads
11. Putting Together Unit I
Part II: Diatonic Harmony
12. Composing with V7
13. Non-Dominant Sevenths
14. viio7 and viiø7
15. 6/4 Chords
16. Microform
17. Applied Chords
18. Diatonic Modulation
19. Small Forms
20. Putting Together Unit II
Part III: Chromaticism
21. Diatonic Sequences
22. Mixture
23. The Neapolitan
24. Topic Theory
25. Augmented Sixths
26. Chromatic Chords
27. Chromatic Modulation
28. Chromatic Progressions
29. Putting Together Unit III
Part IV: Advanced Harmony
30. Rondo and Composite Forms
31. Sonata-Allegro Form
32. Concerto Forms
33. The Cadenza
34. Fugue
Part V: Advanced Topics
35. Modes and Collections
36. Free Atonality and Serialism
37. Centricity and Neoclassicism
38. Jazz Improvisation
39. Three 20th-Century Composers
40. Putting Together Units IV and V
Erscheinungsdatum | 21.11.2024 |
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Zusatzinfo | 98 Tables, black and white; 1359 Line drawings, black and white; 9 Halftones, black and white; 1368 Illustrations, black and white |
Verlagsort | London |
Sprache | englisch |
Maße | 210 x 280 mm |
Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre | |
ISBN-10 | 0-367-48822-1 / 0367488221 |
ISBN-13 | 978-0-367-48822-2 / 9780367488222 |
Zustand | Neuware |
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