Multimodal Comics -

Multimodal Comics

The Evolution of Comics Studies
Buch | Hardcover
300 Seiten
2024
Intellect Books (Verlag)
978-1-78938-949-4 (ISBN)
124,60 inkl. MwSt
Multimodality is of increasing relevance to daily life. Comics are a unique and informative site to study this concept, as they rely on complex interactions between word and image. This collection brings together leading international research, developing comics theory and speaking to additional media and disciplines. 53 b&w and 6 col. illus.
Comics have always embraced a diversity of formats, existing in complex relationships to other media, and been dynamic in their response to new technologies and means of distribution. This collection explores interactions between comics, other media and technologies, employing a wide range of theoretical and critical perspectives.



By focusing on key critical concepts within multimodality (transmediality, adaptation, intertextuality) and addressing multiple platforms and media (digital, analogue, music, prose, linguistics, graphics), it expands and develops existing comics theory and also addresses multiple other media and disciplines.



Over the last decade Studies in Comics has been at the forefront of international research in comics. This volume showcases some of the best research to appear in the journal. In so doing it demonstrates the evolution of Comics Studies over the last decade and shows how this research field has engaged with various media and technologies in a continuously evolving artistic and production environment. The theme of multimodality is particularly apt since media and technologies have changed significantly during this period. The collection will thus give a view of the ways in which comics scholars have engaged with multimodality during a time when “modes” were continually changing.

Madeline Gangnes is an assistant professor of English at the University of Scranton in Pennsylvania, USA. She is a co-editor of Studies in Comics and the advisory editor of Sequentials. Her work appears in Studies in Comics, the Journal of Graphic Novels and Comics, the Victorian Periodicals Review, and Key Terms in Comics Studies, among other publications. Professor Christopher Murray is professor of Comics Studies and English Literature in the School of Humanities, Social Sciences and Law at the University of Dundee, Scotland. He leads the Masters in Comics and Graphic Novels and is director of the Scottish Centre for Comics Studies and Dundee Comics Creative Space. He is a founding co-editor of Studies in Comics. Julia Round’s books include Gothic in Comics and Graphic Novels (2014) and the award-winning Gothic for Girls (2019). She is associate professor of English and Comics Studies at Bournemouth University, UK, and one of the founders and co-editors of Studies in Comics journal and the Encapsulations book series.

List of Figures



Foreword



   Roger Sabin



Introduction



   Madeline B. Gangnes, Christopher Murray, and Julia Round



SECTION ONE: MULTIPLICITY AND (INTER)TEXTUALITY 





The Shape of Comic Book Reading



A. David Lewis




Re-inventing the Origins of the Boy Who Wouldn’t Grow Up: Regis Loisel’s Peter Pan


           Armelle Blin-Rolland





The Myth of Eco: Cultural Populism and Comics Studies


           Marc Singer





Intertwining Verbal and Visual Elements in Printed Narratives for Adults


           Pascal Lefèvre



SECTION TWO: METACOMICS AND THE DIGITAL 





Spiegelman’s Magic Box: MetaMaus and the Archive of Representation


           Elisabeth R. Friedman





Meaning from Movement: Blurring the Temporal Border between Animation and Comics


           Joshua Gowdy



SECTION THREE: LINGUISTICS AND LANGUAGE 





Narrative, Language, and Comics-as-Literature


           Hannah Miodrag





The Cognitive Grammar of ‘I’: Viewing Arrangements in Graphic Autobiographies


           Christian W. Schneider



SECTION FOUR: SOUND AND VISION 





Sound Affects: Visualizing Music, Musicians, and (Sub)Cultural Identity in BECK and Scott Pilgrim


           Camilo Diaz Pino





The Musicalization of Graphic Narratives and P. Craig Russell’s Graphic Novel Operas, 'The Magic Flute' and 'Salome'


           Victoria Addis



SECTION FIVE: FROM MATERIAL TO TRANSTEXTUAL AND BEYOND 





'Animating' the Narrative in Abstract Comics


           Paul Fisher Davies





Multimodal Duck-Rabbitry: Multistable Perception and the Narrative Potential of Fold-Ins


           Thomas Hamlyn-Harris and Ross Watkins





Resisting Narrative Immersion


           Greice Schneider





Square Eyes: Augmenting Bodies, Boredom, and Things


           Merlyn Seller



Afterword



           Madeline B. Gangnes, Christopher Murray, and Julia Round



 



Notes on Contributors



Index

Erscheinungsdatum
Zusatzinfo 53 Halftones, black and white; 6 Halftones, color
Verlagsort Bristol
Sprache englisch
Maße 170 x 244 mm
Themenwelt Literatur Comic / Humor / Manga
Kunst / Musik / Theater Design / Innenarchitektur / Mode
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
Sozialwissenschaften Kommunikation / Medien Kommunikationswissenschaft
ISBN-10 1-78938-949-6 / 1789389496
ISBN-13 978-1-78938-949-4 / 9781789389494
Zustand Neuware
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