Music and Mirrored Hybridities
Cultural Communities Converging in French, German, and Turkish Stage Productions (17th–20th Century)
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In early modern Europe, music-theatrical patterns of representing the foreign 'Other' helped shape relations with the Ottoman Empire. Accordingly, hybridity must be understood as a dynamic practice playing with cultural blends and borrowings, albeit possibly (re-)producing inequalities, ambiguities, and clichés. Representations of Ottomans/Turks appear as musical features emerging out of vague inspirations derived from Ottoman/Turkish music, creating a particular sound that could be decoded as 'Ottoman' or 'Turkish' by contemporary listeners.This volume addresses the convergence of cultural communities on stage from early modern France to present-day Turkey, starting from the iconic 'Turkish scene' from Le Bourgeois gentilhomme (1670).With contributions byÖzlem Berk Albachten | Thomas Betzwieser | Aysenaz Cengiz | Marie Demeilliez | Irène Feste | Judith I. Haug | Hubert Hazebroucq | Gerrit Berenike Heiter | Evren Kutlay | Martin Laiblin | Hanna Walsdorf
| Erscheinungsdatum | 25.09.2023 |
|---|---|
| Reihe/Serie | Istanbuler Texte und Studien (ITS) ; 49 |
| Sprache | englisch |
| Maße | 170 x 240 mm |
| Gewicht | 643 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
| Kunst / Musik / Theater ► Musik ► Musikgeschichte | |
| Kunst / Musik / Theater ► Theater / Ballett | |
| Schlagworte | 17. Jahrhundert • 17th century • 18. Jahrhundert • 18th century • 19. Jahrhundert • 19th century • 20. Jahrhundert • 20th century • Ambiguitäten • ambiguities • anderes • Audiences • Ballet • Bühnenkulturen • Bühnenproduktionen • Campra • Clichés • Constantinople • convergence • cultural borrowings • cultural communities • cultural inspirations • cultural mixtures • Dance • Deutschland • Exotismus • foreign • France • Frankreich • Fremdes • Germany • gespiegelte Hybriditäten • Graun • Hybridität • Hybridity • Inequalities • Inspiration • Jean-Baptiste Lully • Jean-Baptiste Molière • Klischees • Konvergenz • kulturelle Gemeinschaften • Le Bourgeois Gentilhomme • Lully • mirrored hybridities • Molière • music • Music theater • Musik • Musiktheater • Oper • Opera • Osmanen • Osmanisches Reich • Other • Ottoman • Ottoman Empire • Ottomans • representations • Richard Strauss • stage cultures • stage productions • Stern • Strauss • Türkei • Türken • Turkey • Türkische Szene • Turkish Ceremony • Turkish scene • Turks • Ungleichheiten • Zuhörer |
| ISBN-10 | 3-98740-044-7 / 3987400447 |
| ISBN-13 | 978-3-98740-044-5 / 9783987400445 |
| Zustand | Neuware |
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