The Devil Prefers Mozart - Anthony Burgess

The Devil Prefers Mozart

On Music and Musicians, 1962-1993

(Autor)

Paul Phillips (Herausgeber)

Buch | Softcover
578 Seiten
2024
Lives and Letters (Verlag)
978-1-80017-308-8 (ISBN)
37,40 inkl. MwSt
Anthony Burgess's brilliance as an essayist and his passion for music are united in The Devil Prefers Mozart, the largest collection of his music essays ever assembled.
The Devil Prefers Mozart is the first comprehensive collection of Anthony Burgess's writings about music. In this extensive compilation of essays and reviews, he covers a vast range of musical topics, from the hurdy-gurdy to Beatlemania and the Sex Pistols, with Burgess's love of English music represented by writings on Elgar, Holst, and Delius. There are essays on Handel, Mozart, Beethoven, Berlioz and Wagner and other great composers from Monteverdi to Weill, as well as writings about Burgess's favourite performers, including Yehudi Menuhin, Larry Adler and John Sebastian. Whether whimsical ('Food and Music'), satirical ('Anybody Can Conduct') or controversial ('Why Punk Had to End in Evil'), Burgess's writing is consistently informative and entertaining.

The music of Debussy sparked Burgess's musical imagination so powerfully when he was a boy in Manchester that he composed his first symphony at eighteen years of age and aspired to a career as a professional composer until his mid-thirties. Writings about his own music provides valuable information about many of Burgess's compositions, including his Symphony in C, his works for guitar quartet, and his opera Blooms of Dublin based on Joyce's Ulysses.

Carcanet also publishes The Ink Trade, a companion volume of literary essays.

Anthony Burgess (1917–1993) was a novelist, poet, playwright, composer, linguist, translator and critic. Best known for his novel A Clockwork Orange, he wrote more than sixty books of fiction, non-fiction and autobiography, as well as classical music, plays, film scripts, essays and articles. Burgess was born in Manchester, England and grew up in Harpurhey and Moss Side. He was educated at Xaverian College and Manchester University. He lived in Malaya, Malta, Monaco, Italy and the United States, and his books are still widely read all over the world.; Paul Phillips is the Gretchen B. Kimball Director of Orchestral Studies and Associate Professor of Music at Stanford University. He is the author of A Clockwork Counterpoint: The Music and Literature of Anthony Burgess, published in 2010, and essays on Burgess published in six other books, including the Norton Critical Edition of A Clockwork Orange. He has led performances of many Burgess compositions in concert, including numerous premieres, and conducted the first commercial recording of Burgess's orchestral music, released by Naxos in 2016.

Erscheinungsdatum
Verlagsort Manchester
Sprache englisch
Maße 135 x 216 mm
Themenwelt Kunst / Musik / Theater Musik
ISBN-10 1-80017-308-3 / 1800173083
ISBN-13 978-1-80017-308-8 / 9781800173088
Zustand Neuware
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