Queer Anatomies

Aesthetics and Desire in the Anatomical Image, 1700-1900

Michael Sappol (Autor)

Buch | Softcover

280 Seiten

2024
Bloomsbury Visual Arts (Verlag)
978-1-350-40087-0 (ISBN)

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In centuries past, sexual body-parts and same-sex desire were unmentionables debarred from polite conversation and printed discourse. Yet one scientific discipline—anatomy—had license to represent and narrate the intimate details of the human body—anus and genitals included. Figured within the frame of an anatomical plate, presentations of dissected bodies and body-parts were often soberly technical. But just as often monstrous, provocative, flirtatious, theatrical, beautiful, and even sensual. Queer Anatomies explores overlooked examples of erotic expression within 18th and 19th-century anatomical imagery. It uncovers the subtle eroticism of certain anatomical illustrations, and the queerness of the men who made, used and collected them.

As a foundational subject for physicians, surgeons and artists in 18th- and 19th-century Europe, anatomy was a privileged, male-dominated domain. Artistic and medical competence depended on a deep knowledge of anatomy and offered cultural legitimacy, healing authority, and aesthetic discernment to those who practiced it. The anatomical image could serve as a virtual queer space, a private or shared closet, or a men’s club. Serious anatomical subjects were charged with erotic, often homoerotic, undertones.

Taking brilliant works by Gautier Dagoty, William Cheselden, and Joseph Maclise, and many others, Queer Anatomies assembles a lost archive of queer expression—115 illustrations, in full-colour reproduction—that range from images of nudes, dissected bodies, penises, vaginas, rectums, hands, faces, and skin, to scenes of male viewers gazing upon works of art governed by anatomical principles. Yet the men who produced and savored illustrated anatomies were reticent, closeted. Diving into these textual and representational spaces via essayistic reflection, Queer Anatomies decodes their words and images, even their silences. With a range of close readings and comparison of key images, this book unearths the connections between medical history, connoisseurship, queer studies, and art history and the understudied relationship between anatomy and desire.

Michael Sappol is Visiting Researcher at Uppsala University, Sweden, and a historian of the visual culture and performance of medicine and science, with a focus on anatomy and the Body. Between 1998 and 2016, he was Historian, Scholar-in-Residence and Exhibition Curator at the National Library of Medicine, USA.

List of Illustrations
Acknowledgements

Part One: The unbearable queerness of anatomy

Introduction
1.1.1 A queer ventriloquism act
1.1.2 An advisory, an acknowledgment

Theory
1.2.1 Queer explains everyone
1.2.2 Queer history
1.2.3 The gaze and its objects
1.2.4 Proliferating views, intensified viewing
1.2.5 An odd term
1.2.6 Default genders of anatomy
1.2.7 Homoerotics queered
1.2.8 The epistemology of the anatomical closet

Objects
1.3.1 Mystery men, mute images
1.3.2 The mystery penis
1.3.3 The penis and medical eyes
1.3.4 The closet’s edge

Part Two: Connoisseurship, taste and “the beauty of the plate”

Gautier
2.1.1 Hungry eyes, science and the anatomical mezzotint
2.1.2 Anatomical provocations and the senses

Cheselden
2.2.1 “The beauty of the plate”
2.2.2 What is beautiful?
2.2.3 Connoisseurial judgment and anatomy
2.2.4 Cheselden’s figures
2.2.5 Cheselden the man
2.2.6 The learning curve
2.2.7 Headbutting disputation

Between Men
2.3.1 Between men: connoisseurs, collectors and anatomy
2.3.2 Conversations and “conversation pieces”
2.3.3 Eyes on the connoisseurial gaze
2.3.4 Between men: a continuum of attachments
2.3.5 Between men: surgical masculinity and objects

Part Three: “Overshadowed by the artist”: Mr Joseph Maclise’s queer anatomy

Prologue: Nicolas-Henri Jacob
3.1 Medical eyes, surgical hands

Joseph Maclise
3.2 The mystery of Mr Joseph Maclise
3.2.1 Misters Quain and Maclise
3.2.2 Queer bedroom scenes
3.2.3 Irrelevant penises (a gallery)
3.2.4 Touching representation
3.2.5 Cascading rhymes
3.2.6 The anus compared
3.2.7 Maclise’s men: An imaginary confraternity?
3.2.8 Race and Maclise’s radical (queer) philosophy of universalist embodiment
3.2.9 Heteronormative queer
3.2.10 A crucifixion
3.2.11 How did Quain and Maclise get on?
3.2.12 Comparative anatomies: predecessors, contemporaries
3.2.13 The queer figure study
3.2.14 The locked atlas and locked closet

Appendix
3.3 Maclise’s long goodbye

Conclusion: The ontology of the anatomical closet

Bibliography

Index

Erscheint lt. Verlag	8.8.2024
Zusatzinfo	113 colour illus
Verlagsort	London
Sprache	englisch
Maße	156 x 234 mm
Themenwelt	Kunst / Musik / Theater ► Allgemeines / Lexika
	Kunst / Musik / Theater ► Kunstgeschichte / Kunststile
	Kunst / Musik / Theater ► Malerei / Plastik
ISBN-10	1-350-40087-4 / 1350400874
ISBN-13	978-1-350-40087-0 / 9781350400870
Zustand	Neuware