Honor Titus
Anomie Publishing (Verlag)
978-1-910221-44-0 (ISBN)
Honor Titus (born 1989) is an American artist who lives and works in Los Angeles. A self-taught painter, Titus is deeply influenced by his creative past as a musician and poet. Titus’s paintings, often suffused with a sense of romance, are embedded with nostalgic references to a simpler time and feature dark, luminous jewel tones. His works often depict faceless figures in minimal urban landscapes, reflecting the isolation that stems from metropolitan anonymity. Titus’s simplified compositions and striking patches of colour are inspired by Les Nabis while his flat, decorative surfaces echo the graphic hyperrealism of artists inspired by American advertising, such as Alex Katz.This, the artist’s first trade monograph, presents new and recent works, including a body of work presented in his 2022–3 solo exhibition at Timothy Taylor, London, Bourgeoisie in Bloom. Here Titus expands on the themes of ritual, class and nostalgia that have characterised previous work, incorporating debutante balls in which young adults are presented to society. Favouring bright panels of colour, Titus evokes traditions of cultural formality, using precise brushwork to delineate details of old-world glamour such as the tilt of a bow tie and the line of a ballgown. A foreword by artist Henry Taylor considers his first encounters with Titus’s work and their continuing friendship. Taylor describes the biographical factors that inform the subjects Titus paints, including music, referencing the first solo show of the artist’s work held at Henry Taylor Gallery in Chinatown, 2020. A text by Durga Chew-Bose brings the themes of nostalgia and memory into the field of discussion. Anecdotes relayed to Chew-Bose bring forward real experiences in relation with his work. The artist’s own words illuminate filmic, musical, photographic and romantic influences on the paintings, while dwelling, lastly, upon his studio space. Klaus Ottmann’s text reflects philosophically and sociologically on Titus’s oeuvre, bringing key art historical reference points into the discussion. Ottmann’s contribution draws connections to key works of literature and criticism that contextualise his work. Published following the exhibition Honor Titus: Bourgeoisie in Bloom at Timothy Taylor, London, 17 November 2022 – 14 January 2023, the publication has been edited by Chloe Waddington, designed by Joe Gilmore, and co-published in 2023 by Timothy Taylor and Anomie Publishing, London.Honor Titus (b. 1989, Brooklyn, NY) is a self-taught American artist who lives and works in Los Angeles, California. Recent solo exhibitions include Honor Titus: Bourgeoisie in Bloom, Timothy Taylor, London, United Kingdom (2022–3); Spotlight: Honor Titus, The FLAG Art Foundation, New York, NY (2022); Honor Titus: For Heaven’s Sake, Timothy Taylor, New York, NY (2021) and Honor Titus: Goodness Gracious, Studio Henry Taylor, Los Angeles, CA (2020). His work has been part of numerous group exhibitions, including IRL (In Real Life), Timothy Taylor, London, United Kingdom (2021); Parallel Worlds, Nassima Landau, Tel Aviv, Israel (2021); and I will wear you in my heart of heart, The FLAG Art Foundation, New York, NY (2021); and (Nothing but) Flowers, Karma, New York, NY (2020), among others. His work is represented in the collections of the Dallas Museum of Art, Dallas, Texas; Nasher Museum of Art, Durham, North Carolina; Rennie Collection, Vancouver, Canada; The Bunker Artspace, Palm Beach, Florida; and the Longlati Foundation, Shanghai, China. Titus has been featured in publications including Art in America, Artnet, Frieze, GQ, Interview Magazine, The New York Times, and Town & Country.
Honor Titus (born 1989) is an American artist who lives and works in Los Angeles. Suffused with a sense of romance, Titus’s paintings are embedded with nostalgic references to a simpler time. Recent solo exhibitions include Bourgeoisie in Bloom, Timothy Taylor, London (2022–3) and Spotlight: Honor Titus, FLAG Art Foundation, New York, NY (2022). Los Angeles-based artist Henry Taylor has been exhibited and featured in prominent public collections across the United States and overseas. His retrospective show Henry Taylor: B Side opened at the Museum of Contemporary Art, Los Angeles, CA, in 2022 and will travel to The Whitney Museum of American Art, New York, NY, in the fall of 2023. Durga Chew-Bose is a writer and editor. She is the author of Too Much and Not the Mood, a collection of essays published by Farrar, Straus and Giroux in 2017. She’s written catalogue essays on a variety of artists including Agnes Martin, Ann Craven and Wolfgang Tillmans. She’s currently working on her first film. Klaus Ottmann is an independent curator and writer, and chief curator emeritus of The Phillips Collection in Washington, D.C. He is also the publisher and editor of Spring Publications. In 2016 Dr. Ottmann was conferred the insignia of chevalier of France’s Order of Arts and Letters by the French ministry of culture and communication.
Erscheinungsdatum | 01.08.2023 |
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Sprache | englisch |
Maße | 220 x 300 mm |
Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
Kunst / Musik / Theater ► Malerei / Plastik | |
ISBN-10 | 1-910221-44-9 / 1910221449 |
ISBN-13 | 978-1-910221-44-0 / 9781910221440 |
Zustand | Neuware |
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