Thomas Hardy and the Folk Horror Tradition
Bloomsbury Academic USA (Verlag)
978-1-5013-8403-5 (ISBN)
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This study analyses the subduing function of heritage drama via analysis of adaptations of Hardy's work to this financially lucrative film market. This is a market in which the inclusion of the weird and the eerie does not fit with the construction of a past and its function in creating a nostalgia of a safe and idyllic picture of England’s rural past. However, there are some lesser-known adaptations from the 1970s that sit alongside the unholy trinity of folk horror: the adaptation for television of the Wessex Tales. From a consideration of the epistemological fissure that characterize Hardy’s world, the book draws parallels between then and now and the manifestation of writing on conceptual borders. Through this comparative analysis, Thomas Hardy and the Folk Horror Tradition posits that we currently exist on a moment of fracture, when tradition sits as a seductive threat.
Alan G Smith is a researcher who specializes in screenwriting, TV drama and Thomas Hardy. He has contributed to Adaptation for Screenwriters (Bloomsbury, 2019), an anthology Horrifying Tales (2021) and the forthcoming Venue Stories (2023). Robert Edgar is Professor in the York Centre for Writing based in the School of Humanities at York St John University, UK. He has published on Screenwriting (2009), Directing Fiction (2009), The Language of Film (Bloomsbury, 2010 and 2015), The Music Documentary (2013), The Arena Concert (Bloomsbury, 2015) and Film Adaptation for Scriptwriters (Bloomsbury, 2019). John Marland is Senior Lecturer in Film and Literature at York St John University, UK, where he has both taught and developed undergraduate courses in scriptwriting. He has published on Screenwriting (2009), The Language of Film (Bloomsbury, 2010 and 2015), and Adaptation for Scriptwriters (Bloomsbury 2019).
Acknowledgements
Introduction: 'Down their carved names the rain-drop ploughs'
1. Foundations: Towards a Hardyan Folk Horror
2. Haunted Hardy
3. Cultural Bereavement
4. Re-Enchantment
5. Hardy Constructed and Re-Constructed
6. Hardy’s Range of Narrative Perspectives
7. Wessex on Page and Screen
Conclusion: 'Teach me to live that I dread the grave as little as my bed'
Works Cited
Index
Erscheinungsdatum | 06.12.2023 |
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Verlagsort | New York |
Sprache | englisch |
Maße | 152 x 229 mm |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 1-5013-8403-1 / 1501384031 |
ISBN-13 | 978-1-5013-8403-5 / 9781501384035 |
Zustand | Neuware |
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