The Routledge Companion to Applied Musicology

Chris Dromey is Associate Professor of Music at Middlesex University, where he has led BA Music Business and Arts Management since 2006. He is co-editor of The Classical Music Industry (Routledge, 2018).

List of Figures

List of Contributors

Introduction Chris Dromey

Part I. Defining and Theorising Applied Musicology

1. From Spitta to Seeger: Early Theories of Applied Musicology Malik Sharif

2. Musicology’s Applied Foundations (or, How Music was Musealised) Miloš Zapletal and

Chris Dromey

3. The Late Nineteenth-Century Concert as Applied Musicology Natasha Loges

4. “Applied” before Musicology? George Grove, Programme Notes, and the Dictionary

Bruno Bower

5. Phenomenology, Practice-led Research, and Applied Musicology Nancy November

6. The Locations of Musical Meaning and Subjectivity Alastair Williams

Part II. Public Engagement

7. Shaping the Narrative: Musicology for a Public Leah Broad

8. Exhibiting Ethnomusicology: Curation Across Cultures and Disciplines Frances Wilkins,

Barbara Alge and the Aanischaaukamikw Cree Cultural Institute

9. Club Inégales, Curation, and Processes of Public Musicology Helen Julia Minors

10. Cultural and Artistic Citizenship in Classical Music Constanze Wimmer and Chris

Dromey

11. Musicology and/as Knowledge Exchange Toby Young

12. ‘So wide is the field’: Edward Taylor’s Public Music Lectures Rachel Johnson

Part III. New Approaches and Research Methods

13. The Sound Commons and Applied Ecomusicologies Aaron S. Allen, Taylor Leapaldt,

Mark Pedelty and Jeff Todd Titon

14. Perceptions of Melodic Symmetry: A Priming Study Michael Thorpe

15. Opera Virgins at the Movies: Audience Research and the Ontology of Opera Cinema

Joe Attard

16. Towards an Applied Health Musicology: Aesthetic Music Therapy and Beyond Colin

Andrew Lee and Chris Dromey

17. “Parental Advisory”: Making Explicit the Value and Authenticity of a Music Degree

Paul Fleet

Part IV. Representation and Inclusion

18. Rethinking Representation in Music Education: Strategies to Integrate Pan-African Music

Karen Cyrus

19. Whose ‘Better World’? Reflections on Applied Music Interventions in the Andes

Xabier Etxeberria Adrien and Henry Stobart

20. Rethinking (Self-)Care in Musicology Klisala Harrison

21. The Legality and Morality of Rap at Court Lily E. Hirsch

22. Strategies for Using Music Theory to Inform Music Education, Psychology, and

Therapy Research Adam Ockelford

Part V. Musicology in/for Performance

23. “Mahler am Tisch”: Experimenting with Imagined and Emergent Audiences Ties van de

Werff, Veerle Spronck and Imogen Eve

24. On Organology: Taxonomy and Transdisciplinarity Rachael Durkin and Darryl Martin

25. Dialogues with Recordings: Digital Memory and the Archive Neil Heyde

26. Intersections Between Northern Irish Choral Practices and Community Music Principles

Sarah-Jane Gibson and Lee Higgins

27. Music for Buildings, Building for Music Neil Thomas Smith and Peter Peters

References

Index