Hilltop Hoods' The Calling
Bloomsbury Academic USA (Verlag)
978-1-5013-9266-5 (ISBN)
Dianne Rodger is a Hip-Hop fan and lecturer in anthropology at the University of Adelaide, Australia. Her research and teaching spans fields including youth culture, digital media, and health – with a sustained focus on Hip-Hop culture in Australia. She began researching Hip-Hop in the mid-2000s when she completed an ethnographic study of the Adelaide and Melbourne Hip-Hop scenes. Subsequent works have explored First Nations Hip-Hop including the social media practices and impact of A.B. Original (co-authored with Dr. Suzi Hutchings) and Hip-Hop workshops for First Nations young people in Adelaide. She is currently researching the histories of Hip-Hop in Australia, work that also informs her examination of The Calling (2003).
Acknowledgement of Country
Acknowledgements
Preface
1. Introduction
2. Origin Stories – Hip-Hop in Australia and the Hilltop Hoods’ Biography
3. Hip-Hop Devotion – ‘Testimonial Year’ and ‘The Calling’
4. Punchlines and Funky Beats – ‘Dumb Enough?’ and ‘The Nosebleed Section’
5. Rocking the Party – Live Performances
6. Underground Politics – ‘Walk On’ and ‘Illusionary Lines’
7. Posse Tracks and Battle Raps – ‘The Certificate’
8. Conclusion – ‘The Sentinel’
References
Index
Erscheinungsdatum | 25.07.2023 |
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Reihe/Serie | 33 1/3 Oceania |
Verlagsort | New York |
Sprache | englisch |
Maße | 127 x 197 mm |
Themenwelt | Kunst / Musik / Theater ► Musik ► Pop / Rock |
ISBN-10 | 1-5013-9266-2 / 1501392662 |
ISBN-13 | 978-1-5013-9266-5 / 9781501392665 |
Zustand | Neuware |
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