CineWorlding

Michael B. MacDonald is Associate Professor of Music at the MacEwan University Faculty of Fine Arts and Communications, Canada. He is the founding program chair of the MusCan Film Series, serves on the editorial board of the journal Intersections, is the program committee for KISMIF (Keep it Simple, Make it Fast), is on the scientific committee for COMbART, and is an active member of the International Council of Traditional Music Study Group on Audiovisual Ethnomusicology. He is the author of Playing for Change (2016), Remix and Life Hack in HipHop (2016), and Finding Phish (2020).

Acknowledgements
Introduction: A Cinematic Style of Thought
1. Cineworlding with Musics’ Undercommons
2. A Worlding Proposition For/From an Alternate Reality
3. Living Flame of Love: Creative Practice Research and Practical Musicology
4. Virtual and Actual in Posthumanography
5. Diagrammatic Posthumanography of Margø’s “In Between”
6. Bodying in Intensive and Extensive Spaces: “John Wort Hannam is a Poor Man”
7. Quartet 2 and Affective Vectoring
8. Crystal Image in Cinematic Research-Creation: Pimachihowan, A Case Study
9. The Crowd Behind the Lens: We’re Too Loud
10. Elders’ Room: The Opportunities and Challenges of Decoloniality
11. Activist Minor Cinema
Notes
Index