Word Art + Gesture Art = Tone Art

lt;b>Hanns-Werner Heister, Prof. Dr. phil., carried out his university studies in Musicology, German Studies, and Indo-European Studies and Linguistic, in Tübingen, Frankfurt a. M. and Berlin (Technische Universität), respectively. In 1977, he received his Dr. phil in Musicology from the Technische Universität Berlin, under the supervision of Carl Dahlhaus; in 1993, he received his Habilitation from the Carl-von-Ossietzky-Universität Oldenburg; 1992-1998, he served as a Professor for Musical communication and History of Music at the Musikhochschule "Carl Maria von Weber" in Dresden; Between 1998 and 2011, he served as a Professor for Musicology at the Hochschule für Musik und Theater Hamburg. Furthermore, he worked as a freelancer for various radio stations, journals and newspapers He also taught at various Schools of Music and Arts, such as in Berlin, Hamburg, Dresden, Wien, and Weimar. He held seminars at universities in Heredia, Costa Rica, Wellington, New Zealand, Parma, and Saarbrücken. Author and Editor of different books and book series in the field of music history and musicology, his research has been dealing with various topics, such as: methodology of musicology; aesthetics, sociology, history, and anthropology of music; political, popular music, new music and jazz; music and musical culture in Nazism, resistance movement and exile. Further topics include: aesthetics and history of music theatre; media/technology and institutions of music culture; music analysis; fuzzy logic and cybernetics; and gardening. He is also the author of many books such as: Das Konzert. Theorie einer Kulturform (1983); Jazz (Bärenreiter Verlag Kassel, 1983); Vom allgemeingültigen Neuen. Analysen engagierter Musik (Pfau-Verlag, 2006); Hintergrund Klangkunst (Schott Music, 2009); Die Ehrenmitglieder der Staatstheater Stuttgart 1912-2018. Theatergeschichte in Porträts (W. Kohlhammer GmbH, 2018); Music and Fuzzy Logic - The Dialectics of Idea and Realizations in the Artwork Process (Springer, 2021); and Musik und Fuzzy Logic. Die Dialektik von Idee und Realisierungen im Werkprozess (Springer, 2021).

Hanjo Polk, studied jazz drums, musicology and art history in Hamburg. He worked as a Freelancer jazz drummer, composer and musicologist. Since 2005, he has been lecturer for jazz history at the Hochschule für Musik und Theater Hamburg. Between 2008 and 2011 he has also worked as a research assistant in the same University. He has authored and co-authored different publications, in German, in the field of music, history of music and music culture, such as: Zur Hamburger Musik und Musikkultur zwischen Novemberrevolution und Machtübergabe an die Nazis, in: Dirk Hempel und Friederike Weimar (eds.), Himmel auf Zeit. Die Kultur der 1920er Jahre in Hamburg (2010); Cassandra Wilsons Interpretation des Songs "Strange Fruit", in: Thomas Phleps and Wieland Reich (eds.), Musik-Kontexte. Festschrift für Hanns Werner Heister (Monsenstein und Vannerdat, 2011); Komplexität und Einheit. Steve Colemans Zusammenarbeit mit der Gruppe "AfroCuba de Matanzas", in: Hanns-Werner Heister (ed.), Schichten, Geschichte, System. Geologische Methaphern und Denkformen in den Kunstwissenschaften (2016); Zelle und Motiv. Zur Abgrenzung formaler Kategorien im Bereich des Submotivischen, in: Hanns-Werner Heister and Hanjo Polk (eds.), Bewegtes und Bewegendes. Der Motiv-Begriff in Künsten und Wissenschaften (2017). He is the co-editor, with H.-W. Heister, of Bewegtes und Bewegendes. Der Motiv-Begriff in Künsten und Wissenschaften (Musik/Gesellschaft/Geschichte, vol. 7, ed. H.-W. Heister), published by Weidler Buchverlag Berlin, in 2017.

Bernhard Rusam, Cand. phil., studied to become a teacher in music and history at the Hochschule für Musik und Theater Hamburg,

Introduction. Music, Gesture, Word: Singing and Sounding, Cantando and Sonando, Troping and Figuration.- Music in Cognitive Evolution: Mimesis and the Evolving Domain of Auditory Intersubjectivity.