A Cultural History of Color in the Age of Industry
Seiten
2022
Bloomsbury Academic (Verlag)
978-1-4742-7335-0 (ISBN)
Bloomsbury Academic (Verlag)
978-1-4742-7335-0 (ISBN)
A Cultural History of Color in the Age of Industry covers the period 1800 to 1920, when the world embraced color like never before. Inventions, such as steam power, lithography, photography, electricity, motor cars, aviation, and cheaper color printing, all contributed to a new exuberance about color. Available pigments and colored products - made possible by new technologies, industrial manufacturing, commercialization, and urbanization – also greatly increased, as did illustrated printed literature for the mass market. Color, both literally and metaphorically, was splashed around, and became an expressive tool for artists, designers, and writers.
Color shapes an individual’s experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts.
Alexandra Loske is Curator at the Royal Pavilion and Museums, Brighton, UK
Volume 5 in the Cultural History of Color set.
General Editors: Carole P. Biggam and Kirsten Wolf
Color shapes an individual’s experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts.
Alexandra Loske is Curator at the Royal Pavilion and Museums, Brighton, UK
Volume 5 in the Cultural History of Color set.
General Editors: Carole P. Biggam and Kirsten Wolf
Alexandra Loske is an art historian and curator. She is an Associate Tutor at the University of Sussex, UK, and holds a curatorial post at the Royal Pavilion, Brighton, UK.
VOLUME 5: A CULTURAL HISTORY OF COLOR IN THE AGE OF INDUSTRY
Edited by Alexandra Loske, University Of Sussex, UK
1. Philosophy and Science, Georges Roque
2. Technology and Trade, Laura Anne Kalba
3. Power and Identity, Dominique Grisard
4. Religion and Ritual, Charlotte Ribeyrol
5. Body and Clothing, Charlotte C. Nicklas
6. Language and Psychology, Nicholas Gaskill
7. Literature and the Performing Arts, Margrit Vogt
8. Art, Joyce H. Townsend
9. Architecture and Interiors, Megan Aldrich
10. Artefacts, Kelly F. Wright
Erscheinungsdatum | 01.09.2022 |
---|---|
Reihe/Serie | The Cultural Histories Series |
Mitarbeit |
Herausgeber (Serie): Carole P. Biggam, Kirsten Wolf |
Zusatzinfo | 32 col & 22 b/w |
Verlagsort | London |
Sprache | englisch |
Maße | 169 x 244 mm |
Gewicht | 1000 g |
Themenwelt | Kunst / Musik / Theater ► Design / Innenarchitektur / Mode |
Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
ISBN-10 | 1-4742-7335-1 / 1474273351 |
ISBN-13 | 978-1-4742-7335-0 / 9781474273350 |
Zustand | Neuware |
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