This Is America

Keri Watson is Associate Professor of Art History at University of Central Florida. Keidra Daniels Navaroli is a McKnight Doctoral Fellow in the Texts and Technology Program at University of Central Florida.

Preface

Chapter 1: Constructing Indigenous America
Early America: Mound Builder Cultures
Adena Culture
Hopewell Culture
Art of the Pacific Northwest
Old Bering Sea Culture
The Tlingit and Haida Cultures of the Northwest Coast
Art and Architecture of the Southwest
The Hohokam Culture
The Mimbres Culture
Art of the Caribbean Taíno

Chapter 2: Colonial Disruptions: Un/Making a "New World"
Constructing and Circulating Images of the Other
In Search of Spices
In Search of Gold
Labor and Luxury
Forced Labor, Conquest, and Colonization
Power and Portraiture
Building the "New World"
New Spain
New England and New Netherland
New France

Chapter 3: Establishing an Anglo American Nation: Art During the Federal Period
Visualizing Revolution
The War of the Conquest
The Sons of Liberty
Picturing America and Americans
Framing the Other
Establishing a National Iconography
Building American Institutions
Staging Rebellion
The Myth of Benevolence

Chapter 4: The Nineteenth Century: Westward Expansion and Indian Removal
Remaking the Nation
Florida and the American South
The Trans-Mississippi West
Portraying Native Bodies
From "Noble Savage" to "Vanishing Race"
Fashioning the Self: Native Subjects Speak Back
Imagining the West
Survey Paintings and Photography
"Cowboys and Indians"

Chapter 5: The Nineteenth Century: Stitching Together a New Body Politic
Painting Scenes of Everyday Life
Americans at Work and at Home
Prints and Patrons
Performing the Other
Mythologizing the Past
Art, Literature, and the Penny Press
The Mexican American War
The Civil War
Go West!
Race, Art, and Activism
Representing Slavery and Freedom
Images of Reconstruction

Chapter 6: The Nineteenth Century: Reshaping the Landscape
Rural Cemeteries and Public Parks
Philadelphia: Athens of America
The American Sublime
Plantation Portraits
American Impressionism
The End of Landscape Painting

Chapter 7: From the Gilded Age to the Progressive Era: Picturing Gender, Race, and Class
Exhibiting Wealth and Class in the Gilded Age
Portraits and Power
Building the Gilded Age
Globalism and Imperialism at World's Fairs
Scientific Racism and the Centennial International Exposition of 1876
Women, Race, and the World's Columbian Exposition of 1893
The War of 1898 and the Louisiana Purchase Exposition
Picturing Gender, Race, and Class in the Progressive Era
How the Other Half Lives
Out of the Ash Can

Chapter 8: The Multiple Modernisms of the Interwar Period
The New Negro Movement
The Jazz Age
Sculpting the Harlem Renaissance
Stieglitz, Precisionism, and Surrealism
The Stieglitz Circle
Capturing the Machine Age
Surrealism in the Americas
Pueblo Artists and the Taos School
Figuration
Abstraction
Regionalism and the American Scene
American Regionalism
Painting the American Scene

Chapter 9: Depression and Recovery: The New Deal, World War II, and the Post-War Boom
The New Deal
Public Works of Art
Social Realism
The Art of War
Representing War
Illustrating Internment
Mythmaking: Postwar Abstraction
Abstract Expressionism
Color Field Painting
"Out in the World": Found Objects, Funk, and Pop
Neo-Dada
Pop

Chapter 10: Challenging the Past and Imagining the Future
Art and/as Activism
The Black Arts Movement
The Feminist Arts Movement
The Chicano Arts Movement
Disability Rights
The Gay Rights Movement
Art in the Expanded Sphere
Minimalism, Conceptualism, and Earth Art
Faith and Reason
Neo-Expressionism and Afro-Futurism

Key Terms
Index