Singing and the Actor
Seiten
2004
|
2nd edition
Methuen Drama (Verlag)
978-0-7136-6823-0 (ISBN)
Methuen Drama (Verlag)
978-0-7136-6823-0 (ISBN)
This guide takes the reader through a practical training programme relevant to the modern singing actor and dancer. A variety of contemporary voice qualities, including belting and twang are explained, with exercises for each topic.
Classical singing training is no longer relevant for the theatre performer today. So how does an actor train his singing voice? Now in its second edition, this practical handbook takes the reader through a step-by-step training programme relevant to the modern singing actor and dancer. A variety of contemporary voice qualities including belting and twang are explained, with exercises for each topic.
Classical singing training is no longer relevant for the theatre performer today. So how does an actor train his singing voice? Now in its second edition, this practical handbook takes the reader through a step-by-step training programme relevant to the modern singing actor and dancer. A variety of contemporary voice qualities including belting and twang are explained, with exercises for each topic.
A leading exponent of Estill Voice Craft, Gillyanne Kayes runs a vocal consultancy, trouble-shooting for teachers and choral directors. Many West End and pop artistes have already benefited from her accurate and practical information about the singing voice. She is much in demand as a seminar leader and workshop facilitator.
Erscheint lt. Verlag | 20.9.2004 |
---|---|
Zusatzinfo | approx 30 line drawings |
Verlagsort | London |
Sprache | englisch |
Maße | 135 x 216 mm |
Gewicht | 268 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
Kunst / Musik / Theater ► Theater / Ballett | |
ISBN-10 | 0-7136-6823-7 / 0713668237 |
ISBN-13 | 978-0-7136-6823-0 / 9780713668230 |
Zustand | Neuware |
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