Postcolonial Sound Archives:

CONTENTS

Postcolonial Sound Archives: Challenges and Potentials

+++ Articles
* Rasika Ajotikar & Eva-Maria Alexandra van Straaten: Postcolonial Sound Archives: Challenges and Potentials. An Introduction
* Rasika Ajotikar: Sound Collections and Postcolonial India’s Cultural Politics: An Interview with Felix van Lamsweerde
* meLê yamomo & Barbara Titus: The Persistent Refrain of the Colonial Archival Logic/Colonial Entanglements and Sonic
Transgressions: Sounding Out the Jaap Kunst Collection
* Linda Cimardi: “One of the Richest and Most Refined Forms of Art in the World.” Alain Daniélou, the IICMSD Archive,
and Indian Music
* Shubha Chaudhuri: Potentials and Challenges of Repatriation: The Case of Archives and Research Centre for
Ethnomusicology, India
* Rasika Ajotikar: Marathi Sangeet Natak and the Affirmation of Hindu Nationalist Cultural Politics in Western India
* Eva-Maria Alexandra van Straaten: The White Ethnomusicologist’s Burden. White Innocence and the Archive in Music Studies

+++ Book Reviews (Eva-Maria Alexandra van Straaten, ed.)
* Mark Lomanno: Eric F. Clarke, and Mark Doffman (eds.), Distributed Creativity: Collaboration and Improvisation in Contemporary Music. (2017); Juniper Hill, Becoming Creative: Insights from Musicians in a Diverse World. New York: Oxford
University Press. (2018); Tina K. Ramnarine, (ed.), Global Perspectives on Orchestras: Collective Creativity and Social Agency. New York: Oxford University Press. (2017)
* David Kaminsky: Karin Eriksson, Sensing Traditional Music Through Sweden’s Zorn Badge: Precarious Musical Value
and Ritual Orientation. (2017)
* Lisa-Maria Brusius: Katherine Meizel, Multivocality: Singing on the Borders of Identity. (2020)
* Hanna-Mari Riihimäki: Lori A. Burns and Stan Hawkins (eds.), The Bloomsbury Handbook of Popular Music Video Analysis. (2019)
* Laura Miranda: Samuel Llano, Discordant Notes. Marginality and Social Control in Madrid, 1850–1930. (2018)

+++ About the Contributors
+++ the world of music (new series)