The World New Made
Figurative Painting in the Twentieth Century
Seiten
2022
Thames & Hudson Ltd (Verlag)
978-0-500-29653-0 (ISBN)
Thames & Hudson Ltd (Verlag)
978-0-500-29653-0 (ISBN)
A celebration of the richness of figurative painting over the last 100 years and a passionate critique of the accepted history of art in the 20th century.
Figurative painting is due a reappraisal. In this passionately argued volume the distinguished writer and artist Timothy Hyman cuts a new path through the tangle of twentieth-century art. The World New Made explores the work of more than fifty individual painters, presenting a collective ‘Resistance’ who together offer a human-centred alternative to the dominance of the Abstract or the Conceptual in conventional narratives of modern art.
Structured not as a survey but as in-depth studies of more than 130 specific artworks, this lavishly illustrated book brings these often marginalized artists centre-stage: not just Alice Neel and Balthus, Max Beckmann and Frida Kahlo, but also Marsden Hartley and Charlotte Salomon, Bhupen Khakhar and Jacob Lawrence. A rich cast is brought to life, partly through their own writings. As the author argues, ‘All across the world, isolated artists found new idioms for human-centred painting in the midst of modern life.’
Figurative painting is due a reappraisal. In this passionately argued volume the distinguished writer and artist Timothy Hyman cuts a new path through the tangle of twentieth-century art. The World New Made explores the work of more than fifty individual painters, presenting a collective ‘Resistance’ who together offer a human-centred alternative to the dominance of the Abstract or the Conceptual in conventional narratives of modern art.
Structured not as a survey but as in-depth studies of more than 130 specific artworks, this lavishly illustrated book brings these often marginalized artists centre-stage: not just Alice Neel and Balthus, Max Beckmann and Frida Kahlo, but also Marsden Hartley and Charlotte Salomon, Bhupen Khakhar and Jacob Lawrence. A rich cast is brought to life, partly through their own writings. As the author argues, ‘All across the world, isolated artists found new idioms for human-centred painting in the midst of modern life.’
Timothy Hyman is an art critic and historian, as well as a painter. He was elected a Royal Academician in 2011 and is an honorary research fellow at the University of London. He is the author of Bonnard and Sienese Painting, both published by Thames & Hudson.
Introduction: Painting and Experience in the Twentieth Century
1. After Cubism: Reinventing the Language of Representation
2. After Expressionism: ‘The New Thingness’
3. First-Person Painting
4. Beyond the Formalist Canon: Visionaries, Dreamers, Outsiders
5. After Abstract Expressionism: Towards a New History Painting
Epilogue: Continuous Narratives
Erscheinungsdatum | 11.02.2022 |
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Zusatzinfo | 158 Illustrations, unspecified |
Verlagsort | London |
Sprache | englisch |
Maße | 190 x 260 mm |
Gewicht | 1020 g |
Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
Kunst / Musik / Theater ► Malerei / Plastik | |
ISBN-10 | 0-500-29653-7 / 0500296537 |
ISBN-13 | 978-0-500-29653-0 / 9780500296530 |
Zustand | Neuware |
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