Sync or Swarm, Revised Edition

David Borgo is Professor and Chair of Music at UC San Diego, USA. He has performed around the world, released 13 albums, and published extensively in scholarly and other outlets. The first edition of Sync or Swarm (Bloomsbury 2005) won the Alan P. Merriam Prize in 2006, the Society for Ethnomusicology’s most distinguished award.

Acknowledgments
Preface
Preface (first edition)
1. The Sound and Science of Surprise
The Age of Complexity
Sync or Swarm
2. The Study of Improvisation
The Field of Improvisation Studies
Referent-Based Improvisation
Referent-Free Improvisation
Freedom Music
Freedom Is, Freedom Ain’t
Improvisation Is, Improvisation Isn’t
A Marvel of Paradox
3. Strange Loops
The Embodied Mind
Enaction and Prediction
Taking the Note for a Walk
It’s a Bit Like Juggling
Lived Body and Living Body
On Repeat
Fractal Correlation
Circular Causality
Hall of Mirrors
4. Rivers of Consciousness
The Art of the Trio
Complexity and Emergence
Musical Elephants
The Sound of One Note Clapping
Time and the Qualia of Experience
The Phase Space of Improvisation
Attractors
Hues of Melanin
Fractal Correlation
Flights and Perchings
5. Orderly Disorder
Chaotics
Complex Adaptive Systems
Dissipative Structuring
Ancient to Future
Sketches of Another Future
6. Sync and Swarm
The Science of Sync
Entrainment
A Coordination Problem
Insect Music
The Art of Improvisation in the Age of Computational Participation
The Puzzle of Coaction
A Web Without a Spider
Reassembling the Social
7. Harnessing Complexity
The Map is Not the Territory
Situated Musicianship
Group Creativity
Yes, and…
Comprovisation
The Shores of Multiplicity
Complementarity and Metastability
References
Index