Crafting Gender -

Crafting Gender

Women and Folk Art in Latin America and the Caribbean

Eli Bartra (Herausgeber)

Buch | Softcover
256 Seiten
2003
Duke University Press (Verlag)
978-0-8223-3170-4 (ISBN)
28,65 inkl. MwSt
Initiates a gender-based framework for analyzing Latin American and Caribbean folk art. Exploring the roles of women as artists and consumers in specific cultural contexts, this title looks at a range of artistic forms from across Latin America, including Colombian molas (textiles), Andean weavings, Mexican ceramics, Mayan hipiles (dresses).
This volume initiates a gender-based framework for analyzing the folk art of Latin America and the Caribbean. Defined here broadly as the "art of the people" and as having a primarily decorative, rather than utilitarian, purpose, folk art is not solely the province of women, but folk art by women in Latin America has received little sustained attention. Crafting Gender begins to redress this gap in scholarship. From a feminist perspective, the contributors examine not only twentieth-century and contemporary art by women, but also its production, distribution, and consumption. Exploring the roles of women as artists and consumers in specific cultural contexts, they look at a range of artistic forms across Latin America, including Panamanian molas (blouses), Andean weavings, Mexican ceramics, and Mayan hipiles (dresses).Art historians, anthropologists, and sociologists from Latin America, the Caribbean, and the United States discuss artwork from Mexico, Argentina, Chile, Colombia, Ecuador, Panama, Suriname, and Puerto Rico, and many of their essays focus on indigenous artists. They highlight the complex webs of social relations from which folk art emerges. For instance, while several pieces describe the similar creative and technical processes of indigenous pottery-making communities of the Amazon and of mestiza potters in Mexico and Colombia, they also reveal the widely varying functions of the ceramics and meanings of the iconography. Integrating the social, historical, political, geographical, and economic factors that shape folk art in Latin America and the Caribbean, Crafting Gender sheds much-needed light on a rich body of art and the women who create it.


Contributors
Eli Bartra
Ronald J. Duncan
Dolores Juliano
Betty LaDuke
Lourdes Rejón Patrón
Sally Price
María de Jesús Rodríguez-Shadow
Mari Lyn Salvador
Norma Valle
Dorothea Scott Whitten

Eli Bartra is a Professor in the Department of Politics and Culture at the Universidad Autónoma Metropolitana-Xochimilco in Mexico City. She is the author of numerous books in Spanish.

Illustrations vii

Acknowledgments ix

Introduction / Eli Bartra 1

Always Something New: Changing Fashions in a "Traditional Culture" (Suriname) / Sally Price 17

The Emergence of the Santeras: Renewed Strength for Traditional Puerto Rican Art (Puerto Rico) / Norma Valle 35

Kuna Women's Art: Molas, Meaning, and Markets (Panama) / Mari Lyn Salvador 47

Connections: Creative Expressions of Canelos Quichua women (Ecuador) / Dorothea Scott Whitten 73

Engendering Clay: Las Ceramistas of Mata Ortiz (Mexico) / Eli Bartra 98

Women's Folk Art in La Chamba, Colombia (Colombia) / Ronald J. Duncan 126

The Mapuche Craftswomen (Argentina) / Dolores Juliano 155

Women's Prayers: The Aesthetics and Meaning of Female Votive Paintings in Chalma (Mexico) / María J. Rodríguez-Shadow 169

Earth Magic: The Legacy of Teodora Blanco (Mexico) / Betty LaDuke 197

Tastes, Colors, and Techniques in Embroidered Mayan Female Costumes (Mexico) / Lourdes Rejón Patrón 220

Contributors 237

Index 241

Zusatzinfo 50 illustrations
Verlagsort North Carolina
Sprache englisch
Maße 156 x 222 mm
Gewicht 354 g
Themenwelt Kunst / Musik / Theater
Sozialwissenschaften Politik / Verwaltung Politische Theorie
Sozialwissenschaften Soziologie
ISBN-10 0-8223-3170-5 / 0822331705
ISBN-13 978-0-8223-3170-4 / 9780822331704
Zustand Neuware
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