Latin American Women Filmmakers
Bloomsbury Academic (Verlag)
978-1-350-24425-2 (ISBN)
This book will allow scholars and students of Latin American cinema and culture, as well as industry professionals, a deeper understanding of the emergence and impact of the filmmakers and their work, which has particular relevance for contemporary debates on feminism.
Deborah Martin is Senior Lecturer in Latin American Cultural Studies at University CollegeLondon. She has published widely on Latin American film, including Painting, Literature and Filmin Colombian Feminine Culture: Border Guards, Nomads and Women (2012) and The Cinema ofLucrecia Martel (2016).Deborah Shaw is Reader in Film Studies at the University of Portsmouth, UK, where her keyresearch interests are in transnational film theory and Latin American cinema. She is the foundingco-editor of the Transnational Cinemas journal and her books include Contemporary Latin AmericanCinema: Ten Key Films (2003) and The Three Amigos: The Transnational Filmmaking of Guillermo delToro, Alejandro Gonzalez Inarritu, and Alfonso Cuaron (2013).
Introduction
Deborah Martin and Deborah Shaw
Preface: Performing the Impossible in Plain Sight
B. Ruby Rich
Part 1: Industrial Contexts
Chapter 1. Beyond Difference: Female Participation in the Brazilian Film Revival of the 1990s
Lúcia Nagib
Chapter 2. Through Female Eyes: Reframing Peru on Screen
Sarah Barrow
Chapter 3. “Parando la olla documental”: Women and Contemporary Chilean Documentary Film
Claudia Bossay and María-Paz Peirano
Part II: Representations
Chapter 4. Beyond the Spitfire: Re-visioning Latinas in Sylvia Morales’ A Crushing Love
Catherine Leen
Chapter 5. Intimacy and Distance: Domestic Servants in Latin American Women’s Cinema: La mujer sin cabeza/The Headless Woman and El niño pez/The Fish Child
Deborah Shaw
Chapter 6. Women’s filmmaking and comedy in Brazil: Anna Muylaert’s Durval Discos and É Proibido Fumar
Leslie Marsh
Chapter 7. Young women at the margins: Discourses on exclusion in two films by Solveig Hoogesteijn
Constanza Burucúa
Part III: Key Agents
Chapter 8. Re-Framing Mexican Women’s Filmmaking: The case of Marcela Fernández Violante
Niamh Thornton
Chapter 9. Bertha Navarro and the Remapping of Latin American Cinema: Markets, Aesthetics, Cultural Politics
Marvin D’Lugo
Chapter 10. Planeta ciénaga: Lucrecia Martel and Contemporary Argentine Women’s Filmmaking
Deborah Martin
Erscheinungsdatum | 19.11.2021 |
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Reihe/Serie | World Cinema |
Zusatzinfo | 18 bw illus |
Verlagsort | London |
Sprache | englisch |
Maße | 138 x 216 mm |
Gewicht | 340 g |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Sozialwissenschaften ► Ethnologie | |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
Sozialwissenschaften ► Soziologie | |
ISBN-10 | 1-350-24425-2 / 1350244252 |
ISBN-13 | 978-1-350-24425-2 / 9781350244252 |
Zustand | Neuware |
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