In Search of Opera - Carolyn Abbate

In Search of Opera

(Autor)

Buch | Softcover
312 Seiten
2003
Princeton University Press (Verlag)
978-0-691-11731-7 (ISBN)
43,65 inkl. MwSt
Considers the nature of operatic performance and the acoustic images of performance present in operas from Monteverdi to Ravel. This book argues that operatic works are indelibly bound to the contingency of live singing, playing, and staging. It explores a spectrum of attitudes towards musical performance.
In her new book, Carolyn Abbate considers the nature of operatic performance and the acoustic images of performance present in operas from Monteverdi to Ravel. Paying tribute to music's realization by musicians and singers, she argues that operatic works are indelibly bound to the contingency of live singing, playing, and staging. She seeks a middle ground between operas as abstractions and performance as the phenomenon that brings opera into being. Weaving between opera's "facts of life" and a series of works including The Magic Flute, Parsifal, and Pelleas, Abbate explores a spectrum of attitudes towards musical performance, which range from euphoric visions of singers as creators to uncanny images of musicians as lifeless objects that have been resuscitated by scripts. In doing so, she touches upon several critical issues: the Wagner problem; coloratura, virtuosity, and their critics; the implications of disembodied voice in opera and film; mechanical music; the mortality of musical sound; and opera's predilection for scenes positing mysterious unheard music.
An intersection between transcendence and intense physical grounding, she asserts, is a quintessential element of the genre, one source of the rapture that operas and their singers can engender in listeners. In Search of Opera mediates between an experience of opera that can be passionate and intuitive, and an intellectual engagement with opera as a complicated aesthetic phenomenon. Marrying philosophical speculation to historical detail, Abbate contemplates a central dilemma: the ineffability of music and the diverse means by which a fugitive art is best expressed in words. All serious devotees of opera will want to read this imaginative book by s music-critical virtuoso.

Carolyn Abbate is Professor of Music at Princeton University. She is the author of "Unsung Voices: Opera and Musical Narrative in the Nineteenth Century" (Princeton), which will appear in French as "Voix hors-chant". She is translator of Jean-Jacques Nattiez's "Music and Discourse: Toward a Semiology of Music" (Princeton) and of the forthcoming "Music and the Ineffable" by Vladimir Jankelevitch (Princeton).

*Frontmatter, pg. i*Contents, pg. v*Preface, pg. vii*1. Orpheus. One Last Performance, pg. 1*2. Magic Flute, Nocturnal Sun, pg. 55*3. Metempsychotic wagner, pg. 107*4. Debussy's Phantom Sounds, pg. 145*5. Outside the Tomb, pg. 185*Acknowledgments, pg. 247*Notes, pg. 251*Sources for Figures, pg. 281*Index, pg. 283

Erscheint lt. Verlag 31.8.2003
Reihe/Serie Princeton Studies in Opera
Zusatzinfo 14 halftones. 30 scores.
Verlagsort New Jersey
Sprache englisch
Maße 152 x 235 mm
Gewicht 454 g
Themenwelt Kunst / Musik / Theater Musik Klassik / Oper / Musical
Kunst / Musik / Theater Musik Musiktheorie / Musiklehre
ISBN-10 0-691-11731-4 / 0691117314
ISBN-13 978-0-691-11731-7 / 9780691117317
Zustand Neuware
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