Soviet Films of the 1970s and Early 1980s

Marina Rojavin teaches Russian language, culture, and Russian cinema in the Department of Russian at Bryn Mawr College, USA Tim Harte, Provost and Professor of Russian at Bryn Mawr College, USA, specializes in twentieth-century Russian literature, film, and culture

Introduction Part I Violating norms in Soviet serio-comic genres of the stagnation era 1. Character Doubles as a Symptom in Late Soviet Cinema 2. Antiheroes from an Imagined West: The Very Same Munchhausen and The House that Swift Built Part II Unsettling intergenerational harmony, professional integrity, and moral superiority 3. Teaching (by) Violence: Antiheroines in Ilya Averbakh’s Other People’s Letters 4. Aging Kings on the Soviet Screen: Disappointment and Self-Doubt in Stagnation-era Cinema Part III Dualism, conformism, and impotence 5. The Soviet Flâneur Turned Marathoner: The Movement of Character and the Character of Movement in Georgii Daneliia’s 1970s Films 6. Unneeded Men in a Time of Compliance: Split Identity in Unfinished Piece for Mechanical Piano and Flights in Dreams and Reality Part IV. Auteur films: through the lens of time, space, and allegory 7. Getting to Know the Big Wide World: The Shaggy, the Vulgar and the Bumptious 8. Deconstructing the Stalin Myth: Unheroic Heroes in the Films of Aleksei German, Sr.