Rubens in Repeat - The Logic of the Copy in Colonial Latin America - Aaron M. Hyman

Rubens in Repeat - The Logic of the Copy in Colonial Latin America

(Autor)

Buch | Hardcover
320 Seiten
2021
Getty Publications (Verlag)
978-1-60606-686-7 (ISBN)
74,80 inkl. MwSt
Peter Paul Rubens (1577-1640) never crossed the Atlantic himself, but his impact in colonial Latin America was profound. This volume excavates his unequaled reception in the New World in the form of prints made after his works, arguing that colonial artists forged new frameworks for artistic creativity by conforming to European printed designs
This book examines the reception in Latin America of prints designed by the Flemish artist Peter Paul Rubens, showing how colonial artists used such designs to create all manner of artworks and, in the process, forged new frameworks for artistic creativity.

Peter Paul Rubens (1577-1640) never crossed the Atlantic himself, but his impact in colonial Latin America was profound. Prints made after the Flemish artist's designs were routinely sent from Europe to the Spanish Americas, where artists used them to make all manner of objects.

Rubens in Repeat is the first comprehensive study of this transatlantic phenomenon, despite broad recognition that it was one of the most important forces to shape the artistic landscapes of the region. Copying, particularly in colonial contexts, has traditionally held negative implications that have discouraged its serious exploration. Yet analyzing the interpretation of printed sources and recontextualizing the resulting works within period discourse and their original spaces of display allow a new critical reassessment of this broad category of art produced in colonial Latin America-art that has all too easily been dismissed as derivative and thus unworthy of sustained interest and investigation. This book takes a new approach to the paradigms of artistic authorship that emerged alongside these complex creative responses, focusing on the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries. It argues that the use of European prints was an essential component of the very framework in which colonial artists forged ideas about what it meant to be a creator."

Aaron M. Hyman is assistant professor in the Department of the History of Art at Johns Hopkins University.

Dedication
Acknowledgements
Introduction: Conformity
Part I. The City: Cuzco
Ch. 1 Cuzco's Aesthetic of Sameness
Ch. 2 Rethinking "Rubens" in the Andes
Part II. The Cathedral: Mexico City
Ch. 3 Inventors in New Spain
Ch. 4 Metropolitan Academicians
Part III. The Viceroyalty: New Spain and Peru
Ch. 5 The Transatlantic Thesis Disputation
Ch. 6 Rubens Works Miracles in New Spain
Photo credits
Biographical Note
Index

Erscheinungsdatum
Reihe/Serie Getty Publications -
Verlagsort Los Angeles
Sprache englisch
Maße 150 x 250 mm
Gewicht 666 g
Themenwelt Kunst / Musik / Theater Kunstgeschichte / Kunststile
ISBN-10 1-60606-686-2 / 1606066862
ISBN-13 978-1-60606-686-7 / 9781606066867
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich