Avenging Nature -

Avenging Nature

The Role of Nature in Modern and Contemporary Art and Literature
Buch | Hardcover
258 Seiten
2020
Lexington Books (Verlag)
978-1-7936-2144-3 (ISBN)
118,45 inkl. MwSt
Avenging Nature explores how nature strikes back against human domination. International experts examine, from a multipdisciplinary perspective, the insubordinate representations of nature in modern and contemporary art and literature, and advocate for the insurgence of nature within and outside the realm of culture.
“Nature, thou art my goddess”—Edmund’s bold assertion in King Lear could easily inspire and, at the same time, function as a lamentation of the inadequate respect of nature in culture. In this volume, international experts provide multidisciplinary exploration of the insubordinate representations of nature in modern and contemporary literature and art. The work foregrounds the need to reassess how nature is already, and has been for a while, striking back against human domination. From the perspective of literary studies, art, history, media studies, ethics and philosophy, and ethnology and anthropology, Avenging Nature highlights the need of assessing insurgent discourses that—converging with counter-discourses of race, gender or class—realize the empowerment of nature from its subaltern position. Acknowledging the argument that cultural representations of nature establish a relationship of domination and exploitation of human discourse over nonhuman reality and that, in consequence, our regard for nature as humanist critics is instrumental and anthropocentric, the present volume advocates for the view that the time has come to finally perceive nature’s vengeance and to critically probe into nature’s ongoing revenge against the exploitation of culture.

Eduardo Valls Oyarzun lectures at the Department of English and American Literature, Complutense University of Madrid. Rebeca Gualberto Valverde works as assistant professor at the Complutense University of Madrid. Noelia Malla García works as an assistant professor of English at the Department of English Philology at the University of Extremadura. María Colom Jiménez works as an assistant professor at Complutense University of Madrid. Before becoming a language teacher, Rebeca Cordero Sánchez worked as a research assistant in the English Department at the Complutense University of Madrid.

Introduction, Eduardo Valls Oyarzun



Part I

Towards a New Ecocritical Ethics: Cultural Perspectives



Chapter 1. Bringing Culture Back to Nature: A Biosemiotic Reading of Annie Dillard’s Pilgrim at Tinker Creek, Anastasia Cardone

Chapter 2. “Have You Seen the Snow Leopard?”: Animal Commodity Resistance in Peter Matthiessen’s The Snow Leo, Frank Izaguirre

Chapter 3. “With One Arm I Supported Her: The Other Arm Was the Executioner’s”: An Ecofeminist Reading of Anna Kavan’s Ice, Laura de la Parra

Chapter 4. “We Were Neither What We Had Been Nor What We Would Become”: Frankensteinian Science and Liminal States in Jeff VanderMeer’sAnnihilation, Jessica Roberts

Chapter 5. Santiago Rusiñol’s Abandoned Gardens: Between the Poetics of Ruin and the Defense of a Lost Identity, Laura Sanz García



Part II

Empowering Nature: Transcending Anthropocentrism in the Anthropocene



Chapter 6. Welcoming Cosmos: A Comparative Study of Narrative, Nature and Cosmopolitanism in The Wall and Pond, Hande Gurses

Chapter 7. A Few Sockeyes and Dying Embers in What Is Left of the Forest: Settler Culture and Changing Views of Nature in Gail Anderson Dargatz’s Latest Novels, Pedro Miguel Carmona

Chapter 8. The Last Epigram: Christian Bök’sXenotext, Ryan Winet

Chapter 9. A Poetic Correspondence on Ecology and the Green World: Allan Cooper and Harry Thurston’sThe Deer Yard, Leonor Martínez

Chapter 10. Wonders and Threats of Symbiotic Relationships in the Anthropocene: Jeff VanderMeer’s The Southern ReachTrilogy, Patrycja Austin



Part III

The Age of Dystopia: Nature against Culture in Contemporary Literature and Film



Chapter 11. Demonizing Nature: Ecocriticism and Popular Fantasy, Peter Melville

Chapter 12. Accepting the X: Uncanny Encounters with Nature and the Wilderness in Jeff Vandermeer’sThe Southern Reach Trilogy, Carmen Méndez

Chapter 13. Ecocritical Archaeologies of Global Ecocide in 21st–Century Post–Apocalyptic Films, Mónica Martí

Chapter 14. Biohazard, Eco–terror and the Rise of Post–Human Dystopia: Re (b) ordering Space to Promote Environmental Ethics in ZalBatmanglij’sThe East and Cormac McCarthy’s The Road, Paula Barba Guerrero

Chapter 15. Another Inconvenient Truth: Hollywood, the Myth of GreenCapitalism, Víctor Junco

Chapter 16. De–Evolution, Dystopia and Apocalypse in American Postmodern Speculative Fiction, Javier Martín Párraga

Index

About the Editors

About the Contributors

Erscheinungsdatum
Reihe/Serie Ecocritical Theory and Practice
Verlagsort Lanham, MD
Sprache englisch
Maße 161 x 228 mm
Gewicht 581 g
Themenwelt Kunst / Musik / Theater Kunstgeschichte / Kunststile
Naturwissenschaften Biologie Ökologie / Naturschutz
ISBN-10 1-7936-2144-6 / 1793621446
ISBN-13 978-1-7936-2144-3 / 9781793621443
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
eine Einführung

von Harald Zepp

Buch | Softcover (2023)
UTB (Verlag)
34,00