Popular Music, Technology, and the Changing Media Ecosystem

EditorsEmilia Barna is Assistant Professor in the Department of Sociology and Communication at Budapest University of Technology and Economics, Hungary.Tamas Tofalvy is Assistant Professor in the Department of Sociology and Communication at Budapest University of Technology and Economics, Hungary.

1. Continuity and Change in the Relationship between Popular Music, Culture, and Technology: An Introduction.- 2. Music Scenes as Infrastructures: From Live Venues to Algorithmic Data.- 3. From Music Scenes to Musicalized Networks: A Critical Perspective on Digitalization.- 4. Niche Underground: Media, Technology, and the Reproduction of Underground Cultural Capital.- 5. The Relentless Rise of the Poptimist Omnivore: Taste, Symbolic Power, and the Digitization of the Music Industries.- 6. Frictionless Platforms, Frictionless Music: The Utopia of Streaming in Music Industry Press Narratives.- 7. The Sex Playlist: How Race and Ethnicity Mediate Musically "Composed" Sexual Self-formation.- 8. Authenticity and Digital Popular Music Brands.- 9. Listening to the Scrap: Contested Materialities of Music in 1990s China.- 10. Obsolete Technology? The Significance of the Cassette Format in Twenty-First Century Japan.- 11. "Do You Have a Moment to Talk About Vaporwave?" Technology, Memory, and Critique in the Writing on an Online Music Scene.- 12. Discovering Music at Sofar Sounds: Surprise, Attachment, and the Fan-Artist Relationship.- 13. Delicate Balances: The Roles of Amateur Concert Videos in the Galician Underground Scene.- 14. Cassetteboy: Music, Social Media, and the Political Comedy Mash-up.