Exploring Jazz Piano Vol. 1

Exploring Jazz Piano shall help players to improve their technical skills from intermediate to advanced level. This unique approach by the author of our best-selling edition "Improvising Blues Piano" (ED 12504) contains a variety of pieces for playing as well as practical analyses of harmony and tips on improvisation.
These editions contain everything you need to learn professional jazz techniques. Each volume comes with audio files for download that contain all pieces including various play-along tracks, giving you the opportunity to play with a professional band.

Instrumentation:
Piano Exploring Jazz Piano soll Spielern helfen, ihre technischen Fertigkeiten von mittlerem zum fortgeschrittenen Niveau weiterzuentwickeln. Dieser einzigartige Ansatz vom Autor unseres Bestsellers "Improvising Blues Piano" (ED 12504) enthält eine Vielzahl von Stücken zum Spielen sowie praktische Analysen zur Harmonik und Improvisationstipps.
Diese Ausgaben beinhalten alles, was Sie brauchen, um professionelle Jazztechniken zu erlernen. Jeder Band erscheint mit Audio-Downloads, in denen alle Stücke einschließlich diverser Play-Along-Tracks enthalten sind, die Ihnen Gelegenheit geben, mit einer Profi-Band zu spielen.

Besetzung:
Klavier

---

Awarded the prestigious Music Industries Association Award in 2006 for Best Pop Publication, Tim Richards' Exploring Jazz Piano was the long-awaited follow-up to his acclaimed Improvising Blues Piano, also published by Schott. The overall level is somewhat higher, and would suit pianists of Grade 4 standard and above. The book comes in two volumes, comprising no less than 56 original pieces by the author, together with special arrangements of 24 standards ranging from Autumn Leaves and Summertime to Straight No Chaser and Coltrane's Impressions.

The two volumes also contain over 800 musical examples, a veritable treasury of styles and techniques for the aspiring jazz pianist, and refers to the work of Erroll Garner, Art Tatum, Duke Ellington, Thelonious Monk, Bud Powell, Horace Silver, Hampton Hawes, Red Garland, Wynton Kelly, Bill Evans, George Shearing, Oscar Peterson, Chick Corea, McCoy Tyner, and many others.

Each volume has audio files for download, containing between them performances of all 80 pieces, played by Tim alone or with his current trio of Dominic Howles (bass) and Matt Home (drums). Play-along tracks are also included, in which the piano is panned to one speaker, providing rhythm section accompaniment if desired by turning the amplifier's balance control. Copious examples of improvisation are accompanied by numerous assignments, with guidance to hand on every page.

The package is beautifully illustrated with many full-page photographs of piano masters past and present, informative mini biographies and a comprehensive suggested listening section. The practical covered spiral binding protects the books as well as enabling them to lie flat on the music stand.

Exploring Jazz Piano fills a vacuum in jazz piano instruction, its comprehensive syllabus taking the reader from first principles in Vol. 1 to professional level in Vol. 2. Any student of jazz piano, piano teacher, or performing musician dipping into either volume will be rewarded with a wealth of ideas and practical information to keep them occupied for many months, or to use as an ongoing resource in the years to come.

Vol. 1 introduces the intermediate pianist to the basic chord-types used in jazz, from major and minor triads to seventh and ninth chords. Other topics include:

Chord/scale relationships, modes, broken chord and scale patterns, pentatonic and blues scales, walking bass lines, Latin rhythms and bass lines, II - V - I sequences, horizontal and vertical improvisation, tritone substitution, two-handed voicings, rootless voicings, technical exercises and fingering, accompaniment styles, ear-training.

28 pieces by the author appear alongside special arrangements of well-known jazz standards, including Autumn Leaves, Fly Me to the Moon, In a Sentimental Mood, Mannenberg, On Green Dolphin St (part 1), Ornithology, Song for My Father, Straight No Chaser and Take the A Train. Also included are transcribed solos by Thelonious Monk and Horace Silver, an invaluable source of authentic jazz techniques.

EXPLORING JAZZ PIANO - press reviews

"There's little that comes close in terms of practicality of approach."
Brian Priestley - JAZZWISE magazine

"The jazz process has been uncovered in the most comprehensive and welcoming way. Clear-cut, informative and easy to use, Tim Richards has given all comers to this music a way in - go and buy it."
Julian Joseph

"One of the most detailed studies of modern jazz piano I have come across... a very strong foundation [for a keen student] to build their own style and ideas."
Huw White (3rd year student on Royal Academy jazz course) - JAZZ UK

"Meticulously researched, well-structured and stimulating... a tremendous teaching resource... demands to be in the library of every Music Department that teaches jazz."
Hugh Johns - TIMES EDUCATIONAL SUPPLEMENT

"Exploring Jazz Piano provides the aspiring new-to-jazz or grade 4-level pianist (and above) with an exciting, comprehensive step into the world of jazz - hi Exploring Jazz Piano soll Spielern helfen, ihre technischen Fertigkeiten von mittlerem zum fortgeschrittenen Niveau weiterzuentwickeln. Dieser einzigartige Ansatz vom Autor unseres Bestsellers "Improvising Blues Piano" (ED 12504) enthält eine Vielzahl von Stücken zum Spielen sowie praktische Analysen zur Harmonik und Improvisationstipps.
Diese Ausgaben beinhalten alles, was Sie brauchen, um professionelle Jazztechniken zu erlernen; die Erklärungen dazu beginnen bei den grundlegenden Prinzipien. Jeder Band erscheint mit Audio-Downloads, in denen alle Stücke einschließlich diverser Play-Along-Tracks enthalten sind, die Ihnen Gelegenheit geben, mit einer Profi-Band zu spielen.

- Verbesserung der musikalischen Fertigkeiten
- Erlernen von Stücken verschiedener Jazzstile
- Verbesserung der Musikalität, einschließlich der Hörwahrnehmung und des Rhythmusgefühls
- Verbesserung der Improvisationsfähigkeit
- Einblicke in die Jazzharmonielehre und Akkordintonation
- Erlernen des Ensemblespiels
- Lernen, die Begleitstimme zu übernehmen

Schwierigkeitsgrad: 3-4