Gerhard Richter
Abstraction
Seiten
2020
Prestel (Verlag)
978-3-7913-5992-2 (ISBN)
Prestel (Verlag)
978-3-7913-5992-2 (ISBN)
Gerhard Richter's abstract works are the subject of this extraordinary book, which brings together eighty works from collections around the world.
This publication is the first to focus solely on the abstract strategies and processes contained in Gerhard Richter's body of work. In the early 1960s, the artist began to call painting into question, an exploration that continues to occupy him to this day. In the 1970s, he responded to the rejection of painting by creating a series of monochrome works in gray. Moreover, he viewed the colour gray as a means of addressing political themes without depicting them in an idealized manner. In his Inpainting series of the 1970s, Richter made brushstrokes and the application of paint his subject. In other works, he photographed small details from his palette and transferred them onto large canvases in a photorealistic manner. In his colour charts, he subjected painting to an objective process by leaving the arrangement of the colours to chance. Since 1976, Richter has created a series of abstract works by applying paint with a brush, scraper, and palette knife, alternating between conscious decision-making and random processes.
This publication is the first to focus solely on the abstract strategies and processes contained in Gerhard Richter's body of work. In the early 1960s, the artist began to call painting into question, an exploration that continues to occupy him to this day. In the 1970s, he responded to the rejection of painting by creating a series of monochrome works in gray. Moreover, he viewed the colour gray as a means of addressing political themes without depicting them in an idealized manner. In his Inpainting series of the 1970s, Richter made brushstrokes and the application of paint his subject. In other works, he photographed small details from his palette and transferred them onto large canvases in a photorealistic manner. In his colour charts, he subjected painting to an objective process by leaving the arrangement of the colours to chance. Since 1976, Richter has created a series of abstract works by applying paint with a brush, scraper, and palette knife, alternating between conscious decision-making and random processes.
Ortrud Westheider ist Direktorin des Museums Barberini in Potsdam.
Michael Philipp ist Chefkurator am Museum Barberini in Potsdam.
Erscheinungsdatum | 05.03.2022 |
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Verlagsort | München |
Sprache | englisch |
Maße | 240 x 300 mm |
Gewicht | 1396 g |
Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
Kunst / Musik / Theater ► Malerei / Plastik | |
Schlagworte | Abstrakter Expressionismus • Benjamin Buchloh • Deutscher Künstler • Gagosian • Jackson Pollock • Metropolitan Museum • Painting After All |
ISBN-10 | 3-7913-5992-4 / 3791359924 |
ISBN-13 | 978-3-7913-5992-2 / 9783791359922 |
Zustand | Neuware |
Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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