Documentary Across Platforms (eBook)

Reverse Engineering Media, Place, and Politics
eBook Download: EPUB
2019
288 Seiten
Indiana University Press (Verlag)
978-0-253-04350-4 (ISBN)

Lese- und Medienproben

Documentary Across Platforms - Patricia R. Zimmermann
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Together these essays demonstrate documentary's role as a conceptual practice to think through how the world is organized and to imagine ways that it might be reorganized with actions, communities, and ideas.

1. This book is a collection of compellingly and accessibly written essays that are foundational to the field of documentary studies. They appeal to a broad audience.

2. They are the collected papers of noted non-fiction film and documentary scholar Patricia R. Zimmermann, many of which haven't been widely available before. Zimmermann also provides an introduction that explores the field of documentary studies and provides context through headnotes historicizing each chapter.

3. Also included is an excellent foreword by film scholar, Gina Marchetti that further contextualizes the importance of Zimmermann's life work.


In Documentary Across Platforms, noted scholar of film and experimental media Patricia R. Zimmermann offers a glimpse into the ever-evolving constellation of practices known as "documentary" and the way in which they investigate, engage with, and interrogate the world. Collected here for the first time are her celebrated essays and speculations about documentary, experimental, and new media published outside of traditional scholarly venues. These essays envision documentary as a complex ecology composed of different technologies, sets of practices, and specific relationships to communities, engagement, politics, and social struggles. Through the lens of reverse engineering—the concept that ideas just like objects can be disassembled to learn how they work and then rebuilt into something new and better—Zimmermann explores how numerous small-scale documentary works present strategies of intervention into existing power structures. Adaptive to their context, modular, and unfixed, the documentary practices she explores exploit both sophisticated high-end professional and consumer-grade amateur technologies, moving through different political terrains, different platforms, and different exhibition contexts. Together these essays demonstrate documentary's role as a conceptual practice to think through how the world is organized and to imagine ways that it might be reorganized with actions, communities, and ideas.

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Patricia R. Zimmermann is Professor of Screen Studies at Ithaca College and codirector of the Finger Lakes Environmental Film Festival. She is the author and editor of numerous titles including Reel Families: A Social History of Amateur Film; (with Scott MacDonald) The Flaherty: Decades in the Cause of Independent Film; and (with Helen De Michiel) Open Space New Media Documentary: A Toolkit for Theory and Practice.

Foreword / Gina Marchetti


Introduction: Documentary Across Platforms



Part I: Platforms


1. Reverse Engineering: Taking Things Apart for the New Global Media Ecology


2. Ardent Spaces, Formidable Environments


3. Precious Places, Scribe Video Center, Philadelphia


4. The Hand That Holds Up All This Falling: The Works of Daniel Reeves


5. Cartographies of Impossible and Possible Worlds: The Photography of Michael Kienitz


6. Black Soil: Chernozem and Tusit in Ukraine



Part II: Reversals


7. Matrices of War


8. Blasting War


9. Digital Deployments


10. Public Domains: Engaging Iraq through Experimental Digitalities


11. Cambodian Digital Imaginary Archive: Genocide, Lara Croft, and Crafts



Part III: Histories


12. The Home Movie Archive Live


13. Throbs and Pulsations: Les LeVeque and the Digitizing of Desire


14. Just Say No: Negativland's No Business


15. Remixed and Revisited Black Cinema: Oscar Micheaux's Within Our Gates Live Project


16. Live!: Reconnecting the Histories of Live Multimedia Performance


17. Toward a Theory of Participatory New Media Documentary



Part IV: Speculative Engineering


18. Home Movie Axioms


19. Speculations on Environmental Sensualities and Eco-Documentaries


20. Speculations on Reverse Engineering: Algorithms for Recombinant Documentaries Across Platforms



Acknowledgements


Notes


Index

Erscheint lt. Verlag 1.10.2019
Zusatzinfo 20 b&w illus.
Verlagsort Bloomington
Sprache englisch
Maße 160 x 160 mm
Themenwelt Kunst / Musik / Theater Theater / Ballett
Schlagworte Aesthetics • Afghanistan • African American Film • algorithmic art • Amateur Film • Anne Bray • anti-Arab gaming sites • anti-war • Arielle Ben Dov • ART • Artifacts • Art Jones • Audio Art • Babylon '13 • Big Noise Films • Bill Morrison • Black Film • Blasting • bombings • Cambodia • canadian film • children • citizen journalism • Civil War • collaborative documentary • collaborative ethnography • collaborative media practices • Collage • collective storytelling • Community media • constellation • contiguities • Contradiction • Copyright • cracking codes • craft • Creative Nonfiction • Crimea • crooked stories • Cyberwar • Daniel Reeves • Detournement • dialogic interactions • Digital Culture • digital platforms • digital warfare • dismantling technologies • Distribution • Documentary • Donbass • Ecology • El Salvador • Embodiment • EngageMedia • Entertainment Industry • Environment • ethnic anxieties • experimental film • Experimental Media • experimental video • feminist film • Fierce: Women’s Hot Blooded Film • Film • Film archives • film envoy • Flash • Free103point9 • Gaming • Ganapati • Genocide • Gentrification • Global Media Ecologies • Guatemala • Gulf War • handmade film • Hip Hop • home movies • Independent Film • Indiana University Press • Indonesia • Installation • Iraq • IUP • IU Press • Jacqui Soohen • Jeremy Scahill • juxtaposition • Kosovo War • LA Freewaves • Lebanon • Les LeVeque • live performance • Maidan Revolution • Media Studies • Memory • Michael Kienitz • microterritories • Mohsen Mahkbalaf • multi-platformed media • multi-sensory experiences • music • NATO • Negativland • New Media • New Technologies • New Technology • Nicaragua • No Business • Northern Ireland • Obsessive Becoming • Occupation • online festivals • Oral History • Oscar Micheaux • Pakistan • personal documentary • Peru • Philadelphia • photography • Photojournalism • Piracy • Polyphony • postcolonial historiography • Precious Places • Preemptive Media Collective • Public Domain • Quipu Project • rebuilding systems • Reconfiguration • relational politics • Remix • Reverse Engineering • Ricardo Dominquez • Rick Altman • Russia • Sabda • Satellites • Scribe Video Center • sensuality • serbia • Small Arms--Children of Conflict • Smothering Dreams • Sombra A Sombra • Southeast Asia • Spectatorship • Speculation • Spirituality • Streaming • Tony Conrad • transindustrial media economy • Transmedia • transnational • Transnational flows • Trauma • Ukraine • United States • Urban Development • US State Department • Video art • war • War on Terror • weak blood collective • whiteness
ISBN-10 0-253-04350-6 / 0253043506
ISBN-13 978-0-253-04350-4 / 9780253043504
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