Cinema Pessimism
Oxford University Press Inc (Verlag)
978-0-19-006771-7 (ISBN)
Representation, Joshua Foa Dienstag argues, can create the illusion of freedom and reciprocity in place of the real thing, and in both cinema and politics, what gives us pleasure is not the same as what secures or supports our existence as free and equal citizens. As this book shows, there are political dangers not visible within the current debates around democratic representation, dangers we can better understand and help to minimize by considering the way that human beings interact, emotionally, with their filmic representations.
Dienstag looks at a series of films that directly confront issues of representation (Her, Blade Runner, The Man Who Shot Liberty Valance, Melancholia, and the Up documentary series) to diagnose these hazards and consider how best to respond to them. Each chapter looks at a specific film as emblematic of a different conception or problem of representation often ignored by mainstream political debates (such as reciprocity, happiness, boundaries, evil) to show that the relationship between representation and freedom is fraught with tension. This book continues Dienstag's earlier groundbreaking work on philosophical pessimism, understood not as something despairing, but as a rejection of the idea that these necessary tensions can be cured. Ultimately, Dienstag seeks to defend a kind of pessimistic politics that might produce a better sort of democratic representation than what we have today.
Joshua Foa Dienstag is Professor of Political Science and Law at the University of California, Los Angeles. He is the author of three previous books including, Pessimism: Philosophy, Ethic, Spirit, which won the Book Award for Excellence in Philosophy from the American Association of Publishers, and most recently, Cinema, Democracy, Perfectionism.
Introduction: Experiments in the Representative Condition.
1. Citizenship in an Age of Representation: her and us
2. Blade Runner's Humanism
3. The Legitimacy of Representation: The Man Who Shot Liberty Valance
4. Representing Evil: Von Trier's Werewolves
5. The UP Series and the Future of Representation
6. Conclusion: Cinema Pessimism
Notes
Bibliography
Index
Erscheinungsdatum | 03.12.2019 |
---|---|
Verlagsort | New York |
Sprache | englisch |
Maße | 143 x 217 mm |
Gewicht | 342 g |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Geisteswissenschaften ► Philosophie | |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
Sozialwissenschaften ► Politik / Verwaltung ► Politische Theorie | |
ISBN-10 | 0-19-006771-3 / 0190067713 |
ISBN-13 | 978-0-19-006771-7 / 9780190067717 |
Zustand | Neuware |
Haben Sie eine Frage zum Produkt? |
aus dem Bereich