Dwelling in Musical Movement -

Dwelling in Musical Movement

Making a Home in and through Music

Birgit Abels (Herausgeber)

Buch | Softcover
152 Seiten
2019 | 1., Aufl.
VWB-Verlag
978-3-86135-920-3 (ISBN)
36,00 inkl. MwSt
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Contents:

+++ Articles
* Barbara Titus: Introduction: Making a Home in and through Music
* Rachel Beckles Willson: Orientation through Instruments: The oud, the Palestinian Home, and Kamīlyā Jubrān
* Birgit Abels: A Poetics of Dwelling with Music and Dance: Le hip hop as Homing Practice
* Anna Lisa Ramella: States of Play/ing: Sonic Dwellings on a Music Tour
* Thibault Fontanari: Making Pathways while Walking and Singing in Shimshal Valley, Pakistan

+++ Book Reviews (Eva-Maria van Straaten, ed.)

* Scott V. Linford: Robert B. Winans (ed.), Banjo Roots and Branches. (2018)
* Dongshin Chang: Nancy Yunhwa Rao, Chinatown Opera Theater in North America. (2017)
* Eric Petzoldt: Robert Lachmann and Ruth Davis (eds.), The "Oriental Music" Broadcasts 1936–1937—A Musical Ethnography of Mandatory Palestine. (2013)
* Charissa Granger: Andrew Martin, Ray Funk, and Jeannine Remy, Steelpan in Education: A History of the Northern Illinois University Steelband. (2017)
* Brian Diettrich: Frederick Lau and Christine R. Yano (eds.), Making Waves: Traveling Musics in Hawai′i, Asia, and the Pacific. (2018)
* Marissa Moore: Jonathan Dueck, Congregational Music, Conflict and Community. (2017)
* Megan Jane Sinnott: Andrew N. Weintraub and Bart Barendregt (eds.), Vamping the Stage: Female Voices of Asian Modernities. (2017)
* Anna-Elena Pääkkölä: Lori Burns and Steven Lacasse (eds.), The Pop Palimpsest: Intertextuality in Recorded Popular Music. (2018)
* Werner Graebner: Frank Gunderson, The Legacy of Tanzanian Musicians Muhidin Gurumo and Hassan Bitchuka. Rhumba Kiserebuka! (2018)(2017)
* Mischa van Kan: Gerhard Kubik, Jazz Transatlantic, Volume I: The African Undercurrent in Twentieth-Century Jazz Culture; Jazz Transatlantic, Volume II: Jazz Derivatives and Developments in Twentieth-Century Africa. (2017)

+++ Recording Reviews (Rehanna Kheshgi, ed.)

* Kathryn Alexander: The Groove Is Not Trivial. Verite Productions. Directed by Tommie Dell Smith. (2016)
* Kiku Day: Teruhisa Fukuda. Japan: Musical Offering of a Shakuhachi Master. Produced by the Musée d’ethnographie de Genève. (2018)
* Polina Dessiatnitchenko: Gochag Askarov and Pierre De Trégomain. Mugham Souls. Felmay Records. (2017)
* Joe Kinzer: Laos: Musique des Khmou. Recorded by Véronique de Lavenère. Produced by the Musée d′ethnographie de Genève. (2017)

+++ About the Contributors

+++ the world of music (new series)

Contents:

+++ Articles
* Barbara Titus: Introduction: Making a Home in and through Music
* Rachel Beckles Willson: Orientation through Instruments: The oud, the Palestinian Home, and Kamīlyā Jubrān
* Birgit Abels: A Poetics of Dwelling with Music and Dance: Le hip hop as Homing Practice
* Anna Lisa Ramella: States of Play/ing: Sonic Dwellings on a Music Tour
* Thibault Fontanari: Making Pathways while Walking and Singing in Shimshal Valley, Pakistan

+++ Book Reviews (Eva-Maria van Straaten, ed.)

* Scott V. Linford: Robert B. Winans (ed.), Banjo Roots and Branches. (2018)
* Dongshin Chang: Nancy Yunhwa Rao, Chinatown Opera Theater in North America. (2017)
* Eric Petzoldt: Robert Lachmann and Ruth Davis (eds.), The "Oriental Music" Broadcasts 1936–1937—A Musical Ethnography of Mandatory Palestine. (2013)
* Charissa Granger: Andrew Martin, Ray Funk, and Jeannine Remy, Steelpan in Education: A History of the Northern Illinois University Steelband. (2017)
* Brian Diettrich: Frederick Lau and Christine R. Yano (eds.), Making Waves: Traveling Musics in Hawai′i, Asia, and the Pacific. (2018)
* Marissa Moore: Jonathan Dueck, Congregational Music, Conflict and Community. (2017)
* Megan Jane Sinnott: Andrew N. Weintraub and Bart Barendregt (eds.), Vamping the Stage: Female Voices of Asian Modernities. (2017)
* Anna-Elena Pääkkölä: Lori Burns and Steven Lacasse (eds.), The Pop Palimpsest: Intertextuality in Recorded Popular Music. (2018)
* Werner Graebner: Frank Gunderson, The Legacy of Tanzanian Musicians Muhidin Gurumo and Hassan Bitchuka. Rhumba Kiserebuka! (2018)(2017)
* Mischa van Kan: Gerhard Kubik, Jazz Transatlantic, Volume I: The African Undercurrent in Twentieth-Century Jazz Culture; Jazz Transatlantic, Volume II: Jazz Derivatives and Developments in Twentieth-Century Africa. (2017)

+++ Recording Reviews (Rehanna Kheshgi, ed.)

* Kathryn Alexander: The Groove Is Not Trivial. Verite Productions. Directed by Tommie Dell Smith. (2016)
* Kiku Day: Teruhisa Fukuda. Japan: Musical Offering of a Shakuhachi Master. Produced by the Musée d’ethnographie de Genève. (2018)
* Polina Dessiatnitchenko: Gochag Askarov and Pierre De Trégomain. Mugham Souls. Felmay Records. (2017)
* Joe Kinzer: Laos: Musique des Khmou. Recorded by Véronique de Lavenère. Produced by the Musée d′ethnographie de Genève. (2017)

+++ About the Contributors

+++ the world of music (new series)

Erscheinungsdatum
Reihe/Serie the world of music (new series) ; 8(2019)1
Mitarbeit Stellvertretende Herausgeber: Barbara Titus
Gast Herausgeber: Barbara Titus
Zusatzinfo photographs, figs, musical notations
Verlagsort Berlin
Sprache englisch
Maße 152 x 228 mm
Gewicht 300 g
Einbandart Paperback
Themenwelt Kunst / Musik / Theater Musik Musikgeschichte
Kunst / Musik / Theater Musik Pop / Rock
Schlagworte Ethnomusikologie • interkultureller Musikaustausch • music cultures • Music Making • Musikethnologie
ISBN-10 3-86135-920-0 / 3861359200
ISBN-13 978-3-86135-920-3 / 9783861359203
Zustand Neuware
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