Video Color Correction for Non-Linear Editors
Focal Press (Verlag)
978-0-240-80515-3 (ISBN)
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Today's non-linear editing systems are equipped with a wide range of color correction tools that were previously only available in dedicated color correction suites. This book shows video editors how to take full advantage of their power. Clear, step-by-step instructions are included for Avid XPress DV, Avid Symphony, Final Cut Pro, Adobe Premiere, and more. Beyond that, you'll learn the importance of "selling" the color correction you've achieved to clients, while making sure the client realizes the impact color correction gives the final product.
In addition to non-linear editing systems, there are now many plug-in applications for color correction. These plug-ins, including ColorFix, Composite Suite Color Correct, Vixen Pro, and Color Finesse, are covered in detail. There is ample information on how to work with the various video recording formats a client may present you, and the pros and cons of each. Rounding out the text are numerous hints, tips, common pitfalls, and tutorials for real-world practice. The CD contains images can practice color correction on; popular software tools, including trial versions of AfterEffects, Premiere, and various plug-ins; and QuickTime movies demonstrating color correction techniques. Lastly, ample reference material makes this an excellent resource.
Stuart Blake Jones has over twenty years of experience as a senior telecine colorist. He is a consultant and instructor in the US and Europe and demonstrates color correction equipment at trade shows. He is also an expert on telecine and is the author of Film into Video, second edition, also published by Focal Press.
Chapter One Getting Started
The Basics of Color Correction
The Colorist
Setting Up Your Color Correction Environment
Color Correction Suite Checklist
Summary
Chapter Two The Video Signal
The Video Signal
Reading The Scopes
The Waveform Monitor
The Vectorscope
The Parade Display
The Histogram
Video Standards
NTSC
PAL
HDTV
Video Systems
Component Video
Composite Video
Analog Video
Digital Video
Chapter Three Video Recording Formats
Analog Recording Formats
1" Type C
8mm
Betacam
Betacam SP
Betamax
Hi-8
S-VHS
U-Matic
VHS
Digital Recording Formats
Betacam SX
D-1
D-2
D-3
D-5
D-6
D-7
DCT
Digital Betacam
Digital S
DV/DVC
DVCAM
DVCPRO 50
Digital 8
HDCam
Chapter Four The Color Correction Tools
Adobe Systems, Inc.
Adobe After Effects
Adobe Premiere
Apple Computer, Inc.
Final Cut Pro 3T
Avid Technologies, Inc.
Avid DS
Avid Symphony
Plug-In Applications
3 Prong
ColorFix
Digital Film Tools
55mm
Composite Suite Color Correct
In-Sync Corporation
Vixen Pro
Synthetic Aperture
Color Finesse
Video Finesse
Chapter Five Types of Color Correction
Basic Video Levels
Primary Color Correction
Secondary Correction
Adjustable Gamma Curves
Knee Correction
Area Isolation
Chapter Six Sample Scenarios
7 Sample Color Correction Scenarios
Hints and Tips
When to Use Which Type of Color Correction
"Traps" Colorists Frequently Find Themselves In
Chapter SevenTutorials
Primary Color Correction
Selective Color Correction
Creating A Color Gradiation
Creating A Knee Correction
A Defocused Halo Effect
Creating A Night Scope Color Effect
Using Your Adjustable Gamma Curves
Creating A Secondary Color Correction
Adjusting Image Levels Using The Histogram
Changing Color Using The Eye Dropper
Creating A Dual Tone Effect
Instantly Creating A Warm Or Cool Look
Creating A Black And White Image With One Color Remaining
Color Correcting the Image Highlights Only
Creating A Sepia Tone Color Correction
Creating A Color Vignette Around An Image
Making Multiple Color Gradations
Appendix A: Additional Resources
Appendix B: World Television Standards
Appendix C: Color Temperatures
Appendix D: Video Recording Format Chart
Glossary
Index
Erscheint lt. Verlag | 13.1.2003 |
---|---|
Verlagsort | Oxford |
Sprache | englisch |
Maße | 176 x 234 mm |
Gewicht | 386 g |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Kunst / Musik / Theater ► Fotokunst | |
Informatik ► Grafik / Design ► Film- / Video-Bearbeitung | |
ISBN-10 | 0-240-80515-1 / 0240805151 |
ISBN-13 | 978-0-240-80515-3 / 9780240805153 |
Zustand | Neuware |
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