A Critical Companion to Steven Spielberg -

A Critical Companion to Steven Spielberg

Adam Barkman, Antonio Sanna (Herausgeber)

Buch | Hardcover
294 Seiten
2019
Lexington Books (Verlag)
978-1-4985-9359-5 (ISBN)
135,90 inkl. MwSt
This comprehensive, up-to-date analysis of all the works of Steven Spielberg is written by some of the top scholars working in fields ranging from philosophy and art to history and film studies. The chapters illuminate for scholars and fans the entire artistic career of Steven Spielberg.
This book offers a comprehensive, detailed study of the works of Steven Spielberg, whose numerous and heterogeneous films include extremely successful productions such as Jaws (1975), Close Encounters of the Third Kind (1977), E.T. the Extraterrestrial (1982), the Indiana Jones saga (1981–2008), Jurassic Park (1993), Schindler’s List (1993), and Saving Private Ryan (1999), as well as less-known films such as 1941 (1979), Always (1989), War Horse (2011), and The Adventures of Tintin (2011). Spielbergʼs early productions stand as landmarks in contemporary cinema and his involvement with film has been spanning all cinematic genres. Today Spielberg enjoys an immense and enduring popularity around the globe and his productions have attracted (and continue to attract) both public and critical attention. This volume investigates several distinct areas of Spielbergʼs works and addresses the different approaches and the range of topics invited by the multidimensionality of his oeuvre. The eighteen chapters use different methodologies, offering a variegated and compelling picture of Spielbergʼs films, from his earliest works, such as Duel (1971) and The Sugarland Express (1974), to his most recent productions, such as The BFG (2016), The Post (2017), and Ready Player One (2018).

Adam Barkman is professor of philosophy and chair of the Philosophy Department at Redeemer University College. Antonio Sanna teaches English language and literature at the Instituto Pitagora.

Part I: The Artist and Philosopher



Chapter 1: “One of the Phenomenal Debut Films in the History of Movies”: The Sugarland Express as Expression of Spielberg’s ‘Movie Sense’ and as Contribution to a Genre Cycle, David LaRocca

Chapter 2: Adapting Objects: Spielberg and the Art of Making Strange, Paul Johnson

Chapter 3: Fear and Wonder: The Lived-Body Experience of Spielberg’s Cinema, Adam Daniel

Chapter 4: Galloping into the Jaws of Death: The Psychology of Animal Symbolism in Jaws and War Horse, Jennifer L. McMahon

Chapter 5: A Million Light Years from Home: Spielberg’s Extraterrestrials, Transhumanism, and Constructions of Alterity, Elizabeth Lowry

Chapter 6: Of Children and Redrums: The Influence of Stanley Kubrick on A.I. and Minority Report, Elsa Colombani



Part II: The Dreamer



Chapter 7: Poiesis and Miracles: From Something Evil to “The Mission,” Fernando Gabriel Pagnoni Berns, Mariana Soledad Zárate, and Eduardo Veteri

Chapter 8: Deus ex Machina: Spielberg’s Fantastic Visions of Tragedy and Grace, Joshua Sikora

Chapter 9: A Modern Pythia: The Oracle in Minority Report, Sabine Planka

Chapter 10: The Politics of Nostalgia: Reconstructing Epic Heroism in Spielberg’s Amblin’ and Always, Christian Jimenez

Chapter 11: Piracy, Boy Heroes, and the Importance of Playing the Game in Spielberg’s Hook and The Adventures of Tintin, Sue Matheson

Chapter 12: Categorizing E.T., Christopher H. Ketcham



Part III: The Historian



Chapter 13: “I Thought You Were an American”: Spielberg, 1941, and Saving Private Ryan, Sean O’Reilly

Chapter 14: Testimonies of the Past: Spielberg’s Moral Exploration of Racial Discrimination,” Michael Versteeg

Chapter 15: Writing Postmodern Histories in Hollywood: The Portrayal of the Male Characters in Catch Me If You Can, Bridge of Spies, and The Post, Orsolya Karacsony

Chapter 16: Dignified Professor and Intrepid Adventurer: Two Facets of Indiana Jones, Carl Sobocinski

Chapter 17: “We Spared No Expense”: Practical Utopias in Jurassic Park, The Terminal, and Ready Player One,” Carl Sweeney

Chapter 18: Trivialization, Displacement, and Historical Amnesia: The Work of Innocence and Embrace in Empire of the Sun and War of the Worlds, Naaman K. Wood and David J. Strickler

Erscheinungsdatum
Reihe/Serie Critical Companions to Contemporary Directors
Co-Autor Adam Barkman, Elsa Colombani, Adam Daniel
Verlagsort Lanham, MD
Sprache englisch
Maße 161 x 229 mm
Gewicht 617 g
Themenwelt Kunst / Musik / Theater Film / TV
Kunst / Musik / Theater Kunstgeschichte / Kunststile
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
ISBN-10 1-4985-9359-3 / 1498593593
ISBN-13 978-1-4985-9359-5 / 9781498593595
Zustand Neuware
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