Graphic Music Analysis (eBook)
390 Seiten
Rowman & Littlefield Publishers (Verlag)
978-1-5381-0467-5 (ISBN)
Graphic Music Analysis presents Schenkerian analysis in a practical and engaging manner that will resonate with musicology, theory, and composition students, as well as performing musicians. With over 650 musical examples, Eric Wen guides students through the step-by-step process of creating graphic representations of music and reveals how Schenkerian ideas evolve out of analytical issues in the works encountered. Rather than promoting an analytic method for its own sake, Wen derives structural techniques from their particular musical situations to help students engage directly with the music.The textbook has an online companion website (textbooks.rowman.com/wen) featuring: Full scores and recordings of the works discussed in the bookDownloadable workbook of additional pieces to analyzeDetailed commentary on Schenker's own analysis of J. S. Bach's Prelude in C from Book 1 of The Well-Tempered ClavierAn instructor's manual with a step-by-step guide to analyzing the supplementary workbook examples is also available. Please email textbooks@rowman.com for more information.
Eric Wen is recognized as one of today’s preeminent experts in Schenkerian analysis. He has published numerous academic articles, and presented papers at many universities and conferences, including all five International Schenker Symposiums. A member of the faculty at The Curtis Institute of Music in Philadelphia since 1999, Wen has also taught in the doctoral program at The Graduate Center (CUNY), as well as at the Juilliard School and Mannes College of Music in New York. Before then he taught at the University of London, as well as the Guildhall School and Royal Academy of Music in London, where he also served as editor of The Strad magazine and The Musical Times.
Section 1 – Graphic Music AnalysisChapter 1: Highlighting Notes and Making Connections between ThemChapter 2: FigurationChapter 3: The Linear ProgressionChapter 4: The 5–6 successionChapter 5: Structural LevelsChapter 6: The Introduction to Mozart’s “Dissonance” QuartetSection 2 – Semper idem, sed non eodem modoChapter 7: The Fundamental Structure (Ursatz)Chapter 8: Urlinie Descents from 3Chapter 9: Urlinie Descents from 5Section 3 – Techniques of Elaborating the UrsatzChapter 10: SubstitutionChapter 11: Delaying the Initial Tone of the UrlinieChapter 12: Boundary Play and the Obligatory RegisterChapter 13: Sequences Chapter 14: Non-Structural HarmoniesChapter 15: Implied TonesChapter 16: MixtureChapter 17: Relocating the Urlinie Chapter 18: The Phrygian 2Chapter 19: The Auxiliary CadenceChapter 20: Non-Tonic ExpansionsSection 4 – Tonal Structure and Musical FormChapter 21: The Parallel Period (A A´)Chapter 22: Variants of the Parallel PeriodChapter 23: A B A FormChapter 24: A B A' Form (with simple A)Chapter 25: A B A' Form (with compound A) Chapter 26: Sonata Form in the Major ModeChapter 27: Sonata Form in the Minor ModeEpilogue
Erscheint lt. Verlag | 14.2.2019 |
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Zusatzinfo | 668 Illustrations including: - 666 Black & White Illustrations; - 2 Text Boxes. |
Verlagsort | New York |
Sprache | englisch |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
Schlagworte | Graphic Music Analysis • Harmonic Analysis • Heinrich Schenker • musical structure • Music analysis • music composition • music interpretation • music theory • Notation • Schenkerian Analysis • Schenkerian theory • Sonata Form • Techniques of analysis • tonal music • Voice-leading |
ISBN-10 | 1-5381-0467-9 / 1538104679 |
ISBN-13 | 978-1-5381-0467-5 / 9781538104675 |
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