30-Second Classical Music - Dr. Joanne Cormac

30-Second Classical Music

The 50 most significant genres, composers and innovations, each explained in half a minute
Buch | Softcover
160 Seiten
2019
Ivy Press (Verlag)
978-1-78240-931-1 (ISBN)
12,45 inkl. MwSt
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Do you know a capella from zarzuela? Can you distinguish between a serenade and a symphony? If you only have 30 seconds, there is time - using this book - to understand the creative journey taken by classical music from the Middle Ages to the modern era.
Do you know a capella from zarzuela, or your major from your minor? Can you distinguish between a serenade and a symphony? If you only have 30 seconds, there is time – using this book – to understand the creative journey taken by classical music from the Middle Ages to the modern era. Our early ancestors understood pitch and rhythm, the basic tools that have been worked and ordered by composers and performers over the past 400 years into an extraordinary body of music written for soloists, chamber musicians and entire orchestras. Today, everyone has access to a prodigy of classical music which, far from being traditional or elitist, is alive and magical. From plainsong to programme music, appreciate the magnitude and majesty, the passion and the pathos of sounds that have the power to stir our emotions to great joy or infinite sadness. Here’s music to your ears.

Dr. Joanne Cormac spent two years as Lecturer in Music at Oxford Brookes University before being awarded, in 2015, a three-year Leverhulme Early Career Fellowship with the University of Nottingham for her project "Composer Biography:Narrative, Identity and Reception," which will explore the biographical treatment of a range of composers across written, visual, and spoken media. Joanne completed her PhD at the University of Birmingham, on the topic "Liszt as Kapellmeister: The Development of the Symphonic Poems on the Weimar Stage." Joanne's research interests include Liszt, composer biography, and the role of music in 19th-century theater in England and Germany. Her publications are available in 19th-century Music and 19th-century Music Review.

8  Introduction 

12  The Middle Ages
14 GLOSSARY
16 The Beginnings
18 Plainchant
20 Hildegard of Bingen 
22 Profile: Emma Kirkby 
24 Polyphony
26 Guillaume de Machaut
28 Troubadours and Trouvères

30 The Renaissance
32 GLOSSARY 
34 The Renaissance
36 Mass Settings 
38 Words & Music, Motets & Madrigals
40 Giovanni Pierluigi da Palestrina
42 Profile: The Tallis Scholars
44 Historically informed Performance

46  Baroque 
48 GLOSSARY
50 The Early Baroque
52 Monteverdi
54 Vivaldi & the Sonata
56 Profile: Nigel Kennedy
58 Handel
60 The Oratorio
62 Bach

64 Classical
66 GLOSSARY
68 Mozart
70 Patronage
72 Haydn
74 Chamber Music
76 The Symphony 
78 Beethoven
80 The Piano 
82 Profile: Clara Schumann


84 The Nineteenth Century
86 GLOSSARY
90 Lieder & Song Cycles 
92 Profile: Dietrich Fischer-Dieskau
94 Mendelssohn
96 Salon Culture (inc. Chopin)
98 Berlioz 
100 Programme music 
102 Liszt 
104 Virtuosity 
104 Wagner
106 The Orchestra

108 The Late Nineteenth & Early Twentieth Centuries
110 GLOSSARY
112 Nationalism 
114 The Conductor 
116 Profile: Leonard Bernstein 
118 The Mighty Handful
120 The Concert Hall 
122 Brahms 
124 The Score
126 Impressionism 
128 The Renaissance of English Music 
130 Serialism

132 The Twentieth & Twenty-First Centuries
134 GLOSSARY
136 Recording
138 Stravinsky
140 Copland
142 Germaine Tailleferre
144 Messiaen
146 Minimalism 
148 Profile: Yo-Yo Ma 
150 Electronic music 
152 Film Music 

154  Notes on Contributors  
156  Resources  
158  Index 
160  Acknowledgements 
 

Erscheinungsdatum
Reihe/Serie 30 Second
Zusatzinfo 60
Sprache englisch
Maße 153 x 195 mm
Themenwelt Kunst / Musik / Theater Musik Klassik / Oper / Musical
ISBN-10 1-78240-931-9 / 1782409319
ISBN-13 978-1-78240-931-1 / 9781782409311
Zustand Neuware
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