Good and Bad Hair
Photographs by Bill Gaskins
Seiten
1997
Rutgers University Press (Verlag)
978-0-8135-2475-7 (ISBN)
Rutgers University Press (Verlag)
978-0-8135-2475-7 (ISBN)
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Featuring 60 photographs of African Americans, this book documents contemporary black hairstyles and their role as a feature of African American culture. It identifies African Americans who symbolize their sense of self and often their sense of an African or black identity through their hair.
Our choice of hairstyle can mean the difference between acceptance and rejection by groups and individuals. The choices made by African Americans are particularly charged, often affecting the wearer and the viewer in unique and sometimes life-altering ways. This book features 60 photographs of African American men, women and children, documenting contemporary black hairstyles and their role as a feature of African American culture. On one level, the photographs present readers with a variety of popular and personal approaches to wearing one's hair. On another level, they isolate what amounts to a bold, assertive departure from the common definition of American beauty that excludes the physical features of many people of African descent. This narrow definition of beauty has created a race-based measurement for what is considered "good" and "bad" hair. Gaskins' pictures identify African Americans from different regions of the United States who symbolize their sense of self and often their sense of an African or black identity through their hair.
Our choice of hairstyle can mean the difference between acceptance and rejection by groups and individuals. The choices made by African Americans are particularly charged, often affecting the wearer and the viewer in unique and sometimes life-altering ways. This book features 60 photographs of African American men, women and children, documenting contemporary black hairstyles and their role as a feature of African American culture. On one level, the photographs present readers with a variety of popular and personal approaches to wearing one's hair. On another level, they isolate what amounts to a bold, assertive departure from the common definition of American beauty that excludes the physical features of many people of African descent. This narrow definition of beauty has created a race-based measurement for what is considered "good" and "bad" hair. Gaskins' pictures identify African Americans from different regions of the United States who symbolize their sense of self and often their sense of an African or black identity through their hair.
BILL GASKINS is a visiting artist and assistant professor of African American studies at the University of Missouri-Kansas City. Before assuming his current position, Gaskins served as a visiting artist in the department of photography at the School of the Art Institute of Chicago.
Erscheint lt. Verlag | 31.10.1997 |
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Einführung | Nikky Finney |
Illustrationen | Bill Gaskins |
Zusatzinfo | 60 halftones |
Verlagsort | New Brunswick, NJ |
Sprache | englisch |
Themenwelt | Kunst / Musik / Theater ► Fotokunst |
Sachbuch/Ratgeber ► Gesundheit / Leben / Psychologie ► Schönheit / Kosmetik | |
Sozialwissenschaften ► Ethnologie | |
Sozialwissenschaften ► Soziologie | |
ISBN-10 | 0-8135-2475-X / 081352475X |
ISBN-13 | 978-0-8135-2475-7 / 9780813524757 |
Zustand | Neuware |
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