Architecture Filmmaking

Dr Igea Troiani is an academic, architect and independent filmmaker teaching at Xi'an Jiaotong-Liverpool University. She is co-editor of The Politics of Making (2007) and is founder and editor-in-chief of the international award-winning journal Architecture and Culture, Routledge. Hugh Campbell is professor of architecture at University College Dublin where he is head of the School of Architecture. He is currently leading a HEA-funded project to develop the relationship between the National College of Art and Design and UCD.

Introduction 



Part I: Architecture Filmmaking Technique 



Architectural Codes in the works of Dan Graham, Bernard Tschumi and Diller and Scofidio – Sarah Breen Lovett



The Depth Between Frames: Architectural Representation in Two Films by Elizabeth Price and Rut Blees Luxemburg – Alexandra Stara



Mysteries of the Visible: Filmic Operations and Their Value for the Representation of Place – Artistic Research in the Moving Image – Fred Truniger



Paris Plays Itself: Widescreen and the City in Tati, Godard and Melville – Douglas Smith



Tracking Spatial Continuity in the Urban Realm – Igea Troiani and Hugh Campbell



Inside History: Filmic Space-time and an Electronics Archaeology – Christine McCarthy



Part II: Architecture Filmmakers 



Section I 



Reimagining Domesticity in 03-FLATS: Single Women and Singapore Public Housing – Lilian Chee



Filming Architecture and the Architecture of Film: A Reading of the Maison de Verre – Mary Vaughan Johnson



Light Matter: The Transdisciplinary Practice of the Architectural Moving Drawing – Eleanor Suess



Section II 



Hammer to Bell: A Poetic Documentary about Limerick – Jan Frohburg and Christina Gangos



Invented Memories: Notes on Filming Industrial Ruins in Eleonas, Athens – Ektoras Arkomanis



Errant Bodies: A Critical Essay on the Film More Out of Curiosity – Ronnie Close



Section III 



Fight Club: Whether to Make PoMo Architecture or Blow It Up! – Dik Jarman



His House, Our House and Her House: A Filmic Place for Women – Igea Troiani



Stylist as Auteur: Hierarchy, Reputation and Creative Control – Philip Clarke



Part III: Architecture Filmmaking Pedagogy 



Un-framing Reality: Sets of Intensities as Smallest Common Denominator in Film and Architecture – Marc Boumeester



From Blockbuster to Any Space: A Pedagogy of the Filmic Imaginary – Randall Teal



Deeper into Projection: Spatiotemporal Design Inquiry through Digital and Computational Methods – Thomas Forget



Resonance and Transcendence of a Bodily Presence: How a Filmic Mapping of Non-visual, Aural and Bodily Relations in Space Can Strengthen the Sensory Dimension in Architectural Design – Rikke Munck Petersen and Mads Farsø



Cinematic Collage as Architectural Design Research – Igea Troiani and Tonia Carless



Cinematics in Architectural Practice and Culture: The Cambridge Project –François Penz and Maureen Thomas



A Postgraduate Student’s Pursuit for the Future of Architecture Filmmaking in Cuba’s Cinematic Heart: No Hay CINE – Edward Gillibrand