Place and Postcolonial Ecofeminism
Pakistani Women's Literary and Cinematic Fictions
Seiten
2019
University of Nebraska Press (Verlag)
978-1-4962-1512-3 (ISBN)
University of Nebraska Press (Verlag)
978-1-4962-1512-3 (ISBN)
Deploying a postcolonial, ecofeminist approach, Place and Postcolonial Ecofeminism allows theories of space and place-based identities to supply a framework for exploring everyday practices represented within Pakistani women's film and literature.
While news reports about Pakistan tend to cover Taliban attacks and bombings, and academics focus on security issues, the environment often takes a backseat in media reportage and scholarship. In particular, Pakistani women’s attachment to their environment and their environmental concerns are almost always ignored. Shazia Rahman traces the ways in which Pakistani women explore alternative, environmental modes of belonging, examines the vitality of place-based identities within Pakistani culture, and thereby contributes to evolving understandings of Pakistani women—in relation to both their environment and to various discourses of nation and patriarchy.
Through an astute analysis of such works as Sabiha Sumar’s Khamosh Pani (2003), Mehreen Jabbar’s Ramchand Pakistani (2008), Sorayya Khan’s Noor (2006), Uzma Aslam Khan’s Trespassing (2003), and Kamila Shamsie’s Burnt Shadows (2009), Rahman illuminates how Pakistani women’s creative works portray how people live with one another, deal with their environment, and intuit their relationship with the spiritual. She considers how literary and cinematic documentation of place-based identities simultaneously critiques and counters stereotypes of Pakistan as a country of religious nationalism and oppressive patriarchy. Rahman’s analysis discloses fresh perspectives for thinking about the relationship between social and environmental justice.
While news reports about Pakistan tend to cover Taliban attacks and bombings, and academics focus on security issues, the environment often takes a backseat in media reportage and scholarship. In particular, Pakistani women’s attachment to their environment and their environmental concerns are almost always ignored. Shazia Rahman traces the ways in which Pakistani women explore alternative, environmental modes of belonging, examines the vitality of place-based identities within Pakistani culture, and thereby contributes to evolving understandings of Pakistani women—in relation to both their environment and to various discourses of nation and patriarchy.
Through an astute analysis of such works as Sabiha Sumar’s Khamosh Pani (2003), Mehreen Jabbar’s Ramchand Pakistani (2008), Sorayya Khan’s Noor (2006), Uzma Aslam Khan’s Trespassing (2003), and Kamila Shamsie’s Burnt Shadows (2009), Rahman illuminates how Pakistani women’s creative works portray how people live with one another, deal with their environment, and intuit their relationship with the spiritual. She considers how literary and cinematic documentation of place-based identities simultaneously critiques and counters stereotypes of Pakistan as a country of religious nationalism and oppressive patriarchy. Rahman’s analysis discloses fresh perspectives for thinking about the relationship between social and environmental justice.
Shazia Rahman is an associate professor of English at the University of Dayton.
List of Illustrations
Acknowledgments
Introduction: The Place That Is Pakistan
1. Punjab: Eco-cosmopolitan Feminism
2. Thar: Bioregionalism
3. Bengal: Vernacular Landscape
4. Karachi: Pakistani Eco-cosmopolitanism
5. Displacement: Animalization
Conclusion: Justice for All
Notes
References
Index
Erscheinungsdatum | 06.07.2019 |
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Reihe/Serie | Expanding Frontiers: Interdisciplinary Approaches to Studies of Women, Gender, and Sexuality |
Zusatzinfo | 14 photographs, index |
Verlagsort | Lincoln |
Sprache | englisch |
Maße | 152 x 229 mm |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
Sozialwissenschaften ► Soziologie ► Gender Studies | |
ISBN-10 | 1-4962-1512-5 / 1496215125 |
ISBN-13 | 978-1-4962-1512-3 / 9781496215123 |
Zustand | Neuware |
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