Taiwan Cinema, Memory, and Modernity
Springer Verlag, Singapore
978-981-13-3566-2 (ISBN)
Ivy I-chu Chang is Professor and the former provost of National Chiao Tung University, Taiwan. She was a visiting scholar and Fulbright scholar at New York University in 2006 and 2011-12, a recipient of MOST Grant (1997-2019), Mackay Canadian Studies Award, and Asian Cultural Council Award. She is the co-editor and chapter contributor of a book, Transnational Performance, Identity, and Mobility in Asia (Palgrave, 2018) and is the author of such monographs as Queer Performativity and Performance (2010); and Global Time-Space, Bodies and Memories: Taiwan New Cinema and its Influence (2015).
Introduction.- The Visible and the Invisible: Edward Yong’s Taipei Trilogy.- The Ruin, Body, and Time-image in Tsai Ming-Liang’s Films: The Wayward Cloud, What Time Is It There, and I Don’t Want to Sleep Alone.- Colonial Reminiscence, Japanophilia Trend, and Taiwanese Grassroots Imagination in Cape No. 7.- Mourning Love: Queer Performativity and Transformation in Zero Chou’s Spider Lilies and Splendid Float.- Aesthetics of Violence and Elegy for the Young: Chang Tsuo-chi’s Gang Trilogy.- Repressed Memories and the Unhomely in Chung Mong-hong's Children Trilogy.
Erscheinungsdatum | 18.01.2019 |
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Zusatzinfo | 43 Illustrations, color; 3 Illustrations, black and white; XVI, 279 p. 46 illus., 43 illus. in color. |
Verlagsort | Singapore |
Sprache | englisch |
Original-Titel | 全球化時空、身體、記憶:台灣新電影及其影響 |
Maße | 148 x 210 mm |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Sozialwissenschaften ► Soziologie ► Gender Studies | |
Schlagworte | Chang Tso-chi • Edward Young • Globalization and Asian Films • Memory and Modernity in Asian Cinema • Postmodern Culture in Taiwan Cinema • Queer Culture in Taiwanese Cinema • Taiwan Cinema and China • Taiwanese Films and Modernity • Tsai Ming-Liang |
ISBN-10 | 981-13-3566-4 / 9811335664 |
ISBN-13 | 978-981-13-3566-2 / 9789811335662 |
Zustand | Neuware |
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