Phonographic Memories - Njelle W. Hamilton

Phonographic Memories

Popular Music and the Contemporary Caribbean Novel
Buch | Softcover
236 Seiten
2019
Rutgers University Press (Verlag)
978-0-8135-9659-4 (ISBN)
43,20 inkl. MwSt
Provides a sustained analysis of the narrative and thematic influence of Caribbean popular music on the Caribbean novel. Tracing a region-wide attention to the deep connections between music and memory, Njelle Hamilton tunes in to each novel's soundtrack while considering the broader listening cultures that sustain collective memory.
Phonographic Memories is the first book to perform a sustained analysis of the narrative and thematic influence of Caribbean popular music on the Caribbean novel. Tracing a region-wide attention to the deep connections between music and memory in the work of Lawrence Scott, Oscar Hijuelos, Colin Channer, Daniel Maximin, and Ramabai Espinet, Njelle Hamilton tunes in to each novel’s soundtrack while considering the broader listening cultures that sustain collective memory and situate Caribbean subjects in specific localities. These “musical fictions” depict Caribbean people turning to calypso, bolero, reggae, gwoka, and dub to record, retrieve, and replay personal and cultural memories. Offering a fresh perspective on musical nationalism and nostalgic memory in the era of globalization, Phonographic Memories affirms the continued importance of Caribbean music in providing contemporary novelists ethical narrative models for sounding marginalized memories and voices.

Njelle W. Hamilton's Spotify playlist to accompany Phonographic Memories: https://spoti.fi/2tCQRm8

Njelle W. Hamilton is an assistant professor in the departments of English and African-American and African studies at the University of Virginia in Charlottesville.

Preface and Acknowledgments..... vii

Introduction.....1

1. Phonographic Memory:

Tracing the Calypsonian’s Work in Lawrence Scott’s Night Calypso .....35

2. “Record Your Memories”:

The Bolero Aesthetic in Oscar Hijuelos’ The Mambo Kings Play Songs of Love…..80

3. Re-Membering “Body and Soul”:

Gender, Gwoka, and Jazz in Daniel Maximin’s Lone Sun.....128

4. Roots, Romance, Reggae:

 (Dis)Placing Memory in Colin Channer’s Waiting in Vain .....182

5. Memory as Mixtape:

The Dub Aesthetic in Ramabai Espinet’s The Swinging Bridge.....236

Coda.....283

Notes .....296

Works Cited .....TK

 

Erscheinungsdatum
Verlagsort New Brunswick NJ
Sprache englisch
Maße 152 x 229 mm
Gewicht 367 g
Themenwelt Kunst / Musik / Theater Musik Musiktheorie / Musiklehre
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 0-8135-9659-9 / 0813596599
ISBN-13 978-0-8135-9659-4 / 9780813596594
Zustand Neuware
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