ISE Experience Music
McGraw-Hill Education (Verlag)
978-1-260-28780-6 (ISBN)
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Katherine Charlton has drawn on her extensive experience in the classroom to create a listening experience that motivates and engages students. Connect Music ensures that students can come to class confident and prepared, as they develop the active listening skills they need for success in the course and a lifetime of more meaningful musical experiences.
Experience Personalized Playlists
Recognizing musical elements in a piece a student has never heard before is a learned skill. Experience Music helps students develop that skill by providing an avenue into the musical elements through music they are already familiar with. McGraw-Hill Education has partnered with Spotify®, the service that allows you to stream music for free and build playlists containing your favorite songs.
Experience Music On the Go
In Connect Music, all the audio selections discussed in the text’s Featured Listenings and Listening Guides are available via a simple streaming player and through newly-designed interactive Listening Guides.
The interactive Listening Guides provide a guided listening experience that trains the student listener’s ear by pointing out meaningful elements, themes, and instrumentation in each work. Now optimized for tablets, students can experience listening whenever and wherever they go.
Experience Personalized Grading, Made Easier
The first and only analytics tool of its kind, Connect Insight™ is a series of visual data displays that provides at-a-glance information regarding how your class is doing.
Designed for mobile devices, Connect Insight travels from office to classroom, available on demand wherever or whenever it’s needed.
Experience Music the Way You Want to Teach It
Through McGraw-Hill Create, a newly revised Rock Music chapter is available for instructors who want more focus on this genre—Katherine Charlton’s area of expertise. McGraw-Hill Create allows instructors to create a customized print book or eBook tailored to their course and syllabus. Create-only concert reports are also available by genre for instructors who want to include worksheets that guide students through this popular course exercise.
Katherine Charlton Calkins teaches in the music department at Mt. San Antonio College where she spent eight years on the all-college general education committee and then served as chair of the music department for the following ten years. During a yearlong sabbatical in 2007-2008 she studied women composers and compiled biographies, recordings, and listening guides, which she made available to her colleagues to help them add more women to their music appreciation and history classes. As a performer, she has a degree in classical guitar from California State University at Fullerton. She toured in Southern France and Tuscany, playing lute with an early music group led by her late, first husband Andrew Charlton and his friend Gloria Ramsey, both well known in the field of early music. Calkins also played percussion and toured in Japan with the CSUF Wind Ensemble. She got her M.A. in music history and has continued with further graduate study in that same field. As a teacher, she started the guitar program at Mt. San Antonio College, where she continues to teach music history, music appreciation, and history of rock music. Her first book, Rock Music Styles: A History, is now out in its ninth edition, published by McGraw Hill Higher Education. Experience Music is her second book.
Prelude: The Fundamentals of Music 2
1 Elements of Music: Sound, Rhythm, Melody, and Harmony 4
2 Elements that Structure Music: Key, Texture, and Form 11
3 Musical Instruments and Ensembles 16
Prelude: The Culture of Medieval Europe 28
4 Medieval Music 31
Prelude: The Renaissance: The Rebirth of Humanism 46
5 Renaissance Music 49
Prelude: The Triumph of Baroque Style 62
6 Baroque Opera 65
7 Cantata 74
8 Oratorio 81
9 Baroque Solo and Chamber Music 90
10 The Baroque Orchestra 99
Prelude: The Classical Era: Reason and Revolution 110
11 The Classical Symphony 114
12 The Classical Concerto 126
13 Classical Chamber Music 132
14 Classical Vocal Music 140
15 The Music of Beethoven 149
Prelude: Music of the Romantic Era 162
16 Romantic Songs 166
17 Romantic Piano Music 176
18 Romantic Program Music 182
19 Nationalism in the Romantic Era 189
20 The Concert Overture 194
21 The Romantic Concerto 201
22 Romantic Choral Music 207
23 The Late Romantic Symphonies 212
24 Romantic Opera in France and Italy 221
25 Romantic German Opera 233
Prelude: The Early Twentieth Century 242
26 Impressionism and Symbolism 247
27 Primitivism and Neoclassicism 253
28 Eastern European Nationalism 261
29 Germanic Expressionism and the Development of Serialism 266
Prelude: American Innovations in the Arts 274
30 American Music Before World War II 279
31 Early Jazz Styles 288
32 Developments in Jazz in the Late Twentieth Century 300
33 American Classical Music Influenced by Early Jazz 307
34 Twentieth-Century American Classical Styles 314
35 Musical Theater 323
36 Film Music 331
Prelude: New Ideas and Styles from Twentieth-Century Internationalism 340
37 World Musics 343
38 Post World War II Innovations 353
39 Minimalism and Postmodernism 365
Rock Music
Concert Report Forms
Chamber Music Concert
Choral Concert
Jazz Band Concert
Opera
Orchestra or Wind Ensemble (Concert Band) Concert
Solo or Small Group Voice Concert
World Music(s) Concert
Glossary G-1
Performance Information P-1
Index I-1
Erscheinungsdatum | 20.09.2018 |
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Verlagsort | OH |
Sprache | englisch |
Maße | 216 x 274 mm |
Gewicht | 730 g |
Themenwelt | Kunst / Musik / Theater ► Musik |
ISBN-10 | 1-260-28780-7 / 1260287807 |
ISBN-13 | 978-1-260-28780-6 / 9781260287806 |
Zustand | Neuware |
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