Revisiting Shakespeare’s Lost Play
Springer International Publishing (Verlag)
978-3-319-83533-4 (ISBN)
Deborah C. Payne is an Associate Professor of Literature at American University. She specializes in seventeenth- and eighteenth-century drama, theatre history, and performance theory. Her publications include Cultural Readings of Restoration and Eighteenth-Century English Theatre, co-edited with J. Douglas Canfield; The Cambridge Companion to English Restoration Theatre; and Four Restoration Libertine Plays. Recently she completed The Commodiluxe Stage: A New History of Restoration Theatre, 1660-1700.
Introduction; Fiona Ritchie.- Believers versus Skeptics: An Assessment of the Cardenio/Double Falsehood Problem;Robert D. Hume.- The Jolt of Jacobean Tragicomedy: Double Falsehood on the Eighteenth-Century English Stage; Diana Solomon.- Ghostwriting: Lewis Theobald's Double Falsehood as Adaptation; Jean I. Marsden.- Textual Skirmishes and Theatrical Frays: Putting Double Falsehood Back in the Eighteenth Century; Deborah C. Payne.- Bibliography.- Index.
Erscheinungsdatum | 05.03.2022 |
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Zusatzinfo | XI, 138 p. |
Verlagsort | Cham |
Sprache | englisch |
Maße | 148 x 210 mm |
Gewicht | 207 g |
Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
Kunst / Musik / Theater ► Theater / Ballett | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
Schlagworte | Apocrypha • Drama • Early modern • Lewis Theobald • Theatre history |
ISBN-10 | 3-319-83533-5 / 3319835335 |
ISBN-13 | 978-3-319-83533-4 / 9783319835334 |
Zustand | Neuware |
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