The Mediatization of the Artist (eBook)
XXI, 269 Seiten
Springer International Publishing (Verlag)
978-3-319-66230-5 (ISBN)
Rachel Esner is Assistant Professor of Art History at the University of Amsterdam, Netherlands. She is a specialist in nineteenth-century French art and photography. Her research focuses on the artist's studio and the emergence of the artist as a public figure. Among others, she is co-editor of Hiding Making - Showing Creation: The Studio from Turner to Tacita Dean (2013).
Sandra Kisters is Head of Collection and Research at Museum Boijmans Van Beuningen in Rotterdam, Netherlands. Her research focuses on the (self-)representation of the modern artist. Her publications include the edited volume Hiding Making - Showing Creation: The Studio from Turner to Tacita Dean (2013), and The Lure of the Biographical: On the (Self)-Representation of Modern Artists (2017).
Rachel Esner is Assistant Professor of Art History at the University of Amsterdam, Netherlands. She is a specialist in nineteenth-century French art and photography. Her research focuses on the artist’s studio and the emergence of the artist as a public figure. Among others, she is co-editor of Hiding Making – Showing Creation: The Studio from Turner to Tacita Dean (2013). Sandra Kisters is Head of Collection and Research at Museum Boijmans Van Beuningen in Rotterdam, Netherlands. Her research focuses on the (self-)representation of the modern artist. Her publications include the edited volume Hiding Making – Showing Creation: The Studio from Turner to Tacita Dean (2013), and The Lure of the Biographical: On the (Self)-Representation of Modern Artists (2017).
Foreword: In the Name of the Artist1. Introduction I. THE ARTIST IN THE (ILLUSTRATED) PRESS 2. “At Home”: Visiting the Artist’s Studio in the Nineteenth-Century French Illustrated Press - Rachel Esner 3. Success Stories and Martyrologies: Images of Artists in Elsevier’s Geïllustreerde Maandschrift - Liekse Tibbe 4. “Les épisodes de la vie d’un artiste intéressent beaucoup.” The Power of the Media and How To Use It: An Exploration of Ensor’s Self-Mediatization - Herwig Todts 5. Artists’ Confessions to Tériade in L’Intransigeant, 1928-29: The Construction of a Public Image - Poppy Sfakianaki 6. Life’s Pioneer Painters: Dorothy Seiberling and American Art in Life Magazine, 1949−1968 - Melissa Renn II. THE ARTIST IN DOCUMENTARY AND ART-HOUSE FILM 7. Creative Process and Magic: Artists on Screen in the 1940s - Pierre Saurisse 8. COBRA. Canvas, and Camera: Luc de Heusch Filming Alechinsky and Dotremont at Work - Steven Jacobs 9. In Bed with Marina Abramovic: Mediatizing Women’s Art as Personal Drama - Marcel Bleuler 10. Derek Jarman’s Caravaggio and the Aesthetic Regime of Art - Marco de Waard 11. Interviewing the Artist: Richter versus Bacon - Sandra Kisters III. THE ARTIST IN THE POPULAR IMAGINATION 12. The Myth of the Artist in Children’s Illustrated Literature - Laura Bravo 13. A Physiology of the Inglorious Artist in Early Nineteenth-Century Paris - Kathryn Desplanque 14. Mythologies of the Artist in Modern India: The Many Lives of Raja Ravi Varma - Niharika Dinkar 15. Mediated Art History in Biopics: The Interplay of Myths and Media in Pollock - Doris Berger 16. The Glory of the Artist - Alain Bonnet
Erscheint lt. Verlag | 31.1.2018 |
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Zusatzinfo | XXI, 269 p. 39 illus., 22 illus. in color. |
Verlagsort | Cham |
Sprache | englisch |
Themenwelt | Kunst / Musik / Theater ► Malerei / Plastik |
Sozialwissenschaften ► Kommunikation / Medien ► Kommunikationswissenschaft | |
Sozialwissenschaften ► Politik / Verwaltung | |
Schlagworte | Artist Image • Artists and Popular Media • illustrated press • New Media • Visual Media |
ISBN-10 | 3-319-66230-9 / 3319662309 |
ISBN-13 | 978-3-319-66230-5 / 9783319662305 |
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